Category Archives: AAANZ Conference

AAANZ 2022 CONFERENCE │DEMONSTRATIONS │EARLY BIRD REGISTRATIONS CLOSE 31 OCTOBER

Early bird registrations have now opened. For more information on costs and to register go to AAANZ conference fees and bursaries  Early bird discounts finish 31 October. Panel schedule is now available. You can view the complete schedule of panels and speakers here aaanz22.live The 2022 AAANZ Conference ‘DEMONSTRATIONS’ will be held from 1 to 3 December, 2022 and is co-hosted by the Centre of Visual Arts, University of Melbourne and the Faculty of Art, Design and Architecture, Monash University. Please note that the conference will be online this year, with a number of on-site / in-real-life keynotes that will take place at the National Gallery of […]

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EARLY BIRD REGISTRATIONS OPEN │ AAANZ 2022 CONFERENCE │DEMONSTRATIONS

Early bird registrations have now opened. For more information on costs and to register go to AAANZ conference fees and bursaries  Early bird discounts finish 31 October. Panel schedule is now available. You can view the complete schedule of panels and speakers here aaanz22.live The 2022 AAANZ Conference ‘DEMONSTRATIONS’ will be held from 1 to 3 December, 2022 and is co-hosted by the Centre of Visual Arts, University of Melbourne and the Faculty of Art, Design and Architecture, Monash University. Please note that the conference will be online this year, with a number of on-site / in-real-life keynotes that will take place at the National Gallery […]

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Early Bird Registrations Open │ AAANZ 2022 Conference │DEMONSTRATIONS

We are delighted to announce the program for the AAANZ Conference, DEMONSTRATIONS, to be held from 1 to 3 December that will bring together art historians, curators and artists from across the regions and also the release of early-bird registrations. Panel schedule is now available. You can view the complete schedule of panels and speakers here aaanz22.live Early bird registrations have now opened. For more information on costs and to register go to AAANZ conference fees and bursaries  Early bird discounts finish 31 October. The 2022 AAANZ Conference ‘DEMONSTRATIONS’ is co-hosted by the Centre of Visual Arts, University of Melbourne and the Faculty […]

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AAANZ 2022 CONFERENCE: DEMONSTRATIONS | CALL FOR PAPERS CLOSES FRIDAY 29 JULY

AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]

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AAANZ 2022 CONFERENCE: DEMONSTRATIONS | CALL FOR PAPERS ARE OPEN | DEADLINE FRIDAY 29 JULY

AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]

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AAANZ 2022 CONFERENCE: DEMONSTRATIONS | CALL FOR PAPERS ARE OPEN | DEADLINE FRIDAY 29 JULY

AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]

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