Daniel Palmer, Photography and Collaboration: From Conceptual Art to Crowdsourcing (Bloomsbury 2017) To be launched by Professor Charles Green (University of Melbourne) as part of the NGV Art Book Fair, Great Hall, Saturday 18 March, 1.30-2pm. http://www.ngv.vic.gov.au/program/photography-and-collaboration-book-launch/
The Japan Art Catalogue Project University of Sydney Library The Japan Art Catalogue (JAC) project was established in 1996 to support art researchers across the globe by collecting publications related to Japanese exhibitions. These include both major exhibitions of Japanese art of all periods but also important exhibitions of Western art shown in Japan, including in particular modern and contemporary art. These include some of the most comprehensive exhibitions of such art world-wide, and the catalogues are very well illustrated and of the highest standards of production. In addition to the Japanese texts they often include texts in European […]
Podcasts of the symposium Colonization and Wilderness in Nineteenth-century American and Australian Landscape Painting, held at the Art Gallery of Western Australia in September 2016, are now available under ‘Related Videos’ on the Terra Foundation for American Art website page. The exhibition has now moved to the The Ian Potter Museum of Art, University of Melbourne, with new Australian paintings, under the title: Not As The Songs of Other Lands: 19th Century Australian and American Landscape Painting. Some of the same paintings are discussed in three blogs by Richard Read: ‘Continental Shift 1: Colonization and Wilderness’, blog 1, Histories of […]
The Queen Victoria Museum and Art Gallery is a regional gallery with a highly significant collection, particularly strong in colonial art, and a diverse twentieth century, contemporary and decorative arts collection. The application deadline is 10 March. http://www.launceston.tas.gov.au/Jobs-Listing/Visual-Arts-and-Design-Curator
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Thomas Crow will be giving a series of talks in Melbourne, Sydney and Auckland to mark the launch of his contribution to the Power Polemics series. In this new series, arguments cut against the grain, sides are taken. Thomas Crow challenges us to acknowledge the theology of abstract art. This flagship series puts art hard up against political and personal viewpoints from the field’s leading writers. See more about the book here. Melbourne Book launch and discussion Friday 10 March | 6-8pm The Ian Potter Museum of Art Thomas Crow in conversation with Anne Dunlop and Charles Green:Theological Originality in […]
Early Career Development Fellow in Art History at Sydney University The Early Career Development Fellow in Art History position (in the School of Literature, Arts and Media) is part of a broader recruitment program to appoint a number of Fellows across the Faculty of Arts and Social Sciences. Each Fellow will be appointed on the basis of specific disciplinary expertise and be located in a department. All Fellows will also work across departments and disciplines to design, develop and deliver a whole-of-faculty approach to the interdisciplinary requirement that will be a distinctive component of our transformed undergraduate curriculum, the Sydney […]
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For the last decade, Peter Jaszi has been focusing how the fair use doctrine affects creative communities, and in assisting some of those communities to exercise fair use confidently and responsibly. Recently, Peter has been working with the College Art Association (CAA) to develop a Code of Best Practices for Fair Use in the Visual Arts, which is helping artists, teachers, scholars, museum professionals and others to take advantage of their rights. In a few weeks Peter will be visiting Australia, along with several other international copyright experts, for a series of events hosted by various NGO’s. The topic of […]
Agency and aesthetics: A symposium on the expanded field of photography With more photographs circulating than ever before, what do photographers want their images to do? How are artists retaining agency amongst the changing ontology of photography and its conventions and technologies? Does photography either in an art gallery or online still offer a democratic potential in its ability to alter or resist existing positions? As part of a consideration of the shifting politics and aesthetics of photography this event is an opportunity to consider the current nature of subjectivity in image worlds. If the selfie is the “the first […]
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