ANZJA Volume 14, Issue 2, 2014
Table of Contents
‘Cultural Propaganda’ and the Politics of Taste: The Carnegie Corporation’s |
Caroline Jordan and Rebecca Rice
Art History and Exhibitions: Same or Different? | Catherine Speck and Lisa Slade
Relics of Encounter: Rapport and Trust in the Early Portraits of the Aborigines of New South Wales | Elisabeth Findlay
Surrealism in Italy? Sexuality and Urban Space in the Work of Scipione (1904–1933) | Anthony White
Feminists and Formalists | Edward Hanfling
Photography as Social Encounter: Three Works by Micky Allan, Sophie Calle and Simryn Gill | Daniel Palmer
Dorrit Black: Unseen Forces, Art Gallery of South Australia, 14 June – 7 September 2014. Curated by Tracey Lock-Weir | Catherine Speck
Italian Masterpieces from Spain’s Royal Court: Museo del Prado, National Gallery of Victoria, Melbourne, 16 May–31 August 2014 | Mark Shepheard
Hilda Rix Nicholas and Elsie Rix’s Moroccan Idyll: Art and Orientalism, by Jeanette Hoorn | Roger Benjamin
Photography’s Orientalism: New Essays on Colonial Representation, edited by Ali Behdad and Luke Gartlan | Kathleen Davidson
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