Past Issues

Below are details of past journal issues of ANZJA. You can also browse past journal issues on the Taylor & Francis page. AAANZ members have online access to read past issues online.

Past Journal Issues

ANZJA vol. 23 Issue 2 2023 | Te Ko Te Moananui-a-Kiwa te wahi whakarahi, The Pacific Ocean Joins Us All

Edited by Ngarino Ellis and Heather Igloliorte.

Contributors include Ngarino Ellis & Heather Igloliorte, Natalie Robertson, Drew Kahuʻāina Broderick & Josh Tengan, Léuli Eshrāghi, Sarah Biscarra Dilley, Tarah Hogue, Lana Lopesi & Freja Carmichael, Mique’l Dangeli & Tammi Gissell, Nicole Kuʻuleinapuananiolikoʻawapuhimelemeleolani Furtado, Hana Pera Aoake and Jocelyn Flynn.

Link to Vol. 23.1 at Taylor and Francis here.

ANZJA vol. 23 Issue 1 2023 | Open Issue

Edited by Verónica Tello.

Contributors include Verónica Tello, Rex Butler, James Nguyen, Cameron Hurst, Frances Barrett & Peter Johnson & Melissa Ratliff, Christopher R. Marshall, Lisa Chandler, Giles Fielke, Susan Best Mark Ledbury and Terry Smith, Janet Laurence, Mary Roberts & Chiara O’Reilly.

Link to Vol. 23.1 at Taylor and Francis here.

ANZJA vol. 22 Issue 2 2022 | An Unhomely Feeling

Edited by Verónica Tello.

Contributors include Fiona Foley & Paola Balla, Vikki McInnes, June Miskell & Bhenji Ra, Helen Hughes, Ngarino Ellis, Alex Martinis Roe, Cameron Hurst, Soo-Min Shim, Jennifer Milam and Stefan Albl.

Link to Vol. 22.2 at Taylor and Francis here.

ANZJA vol. 22 Issue 1 2022 | The foreign and the out-of-place in Melbourne’s early modern collections

Edited by Anne Dunlop and Cordelia Warr the issue takes eleven objects in Melbourne collections to examine the concepts of foreignness and the out-of-place in the early modern world. The objects were made over a span of almost four centuries, from the 1400s into the 1700s, and in regions as far apart as England and the Philippines. They include manuscripts and sculptures, textiles, drawings, and prints. Some were made as artworks, while others began as practical objects with a specific use.

Contributors include Hilary Maddocks, Susanne Meurer, Kerrianne Stone, Cordelia Warr, Catherine Mahoney, Catherine Kovesi, Anne Dunlop, Susanne Chadbourne, Matthew Martin, Jeanette Hoorn, Catherine De Lorenzo, Timothy Bonyhady and Siobhan Byford.

Link to Vol. 22.1 at Taylor and Francis here.

ANZJA vol. 21 Issue 2 2021 | Open Issue

This issue is edited by Anita Archer, Christopher Marshall and David M. Challis

Contributors include Kit Messham-Muir, Toby Juliff, Deidre Brollo, Sophie Rose, Mary Alice Lee, David M. Challis, Clarissa Chevalier, Martina Caruso, Giles Fielke, Patricia Hoffie and Vivien Johnson.

Link to Vol. 21.1 at Taylor and Francis here.

ANZJA vol. 21 Issue 1 2021 | Shifting the Ground: Rethinking Chinese Art

This issue is edited by Claire Roberts, Mark K. Erdmann and Genevieve Trail

Contributors include Goto Ryoko (Translated by Olivier Krisher), Minyuan Hu, Alex Burchmore, Kevin Alexander Su, Yu-Chieh Li, Wulan Dirgantoro, Luise Guest, Wes Hill, Anthony White, Darren Jorgensen, Andrea Bubenik, Ronald Wilkes and Jan Richardson.

Link to Vol. 21.1 at Taylor and Francis here.

 

ANZJA vol. 20 Issue 2 2020 | Open Issue

This issue is edited by Jane Eckett, Sheridan Palmer, AnetaTrajkoski and Ian McLean

Contributors include Lyn Merrington, Jurij Selan, Darren Jorgensen, Jesse Adams Stein, Grace McQuilten, Edwin Jurriëns, Desmond Manderson, Marie Geissler, Una Rey, Martin Edmond, Jenepher Duncan and Peter Adsett.

Link to Vol. 20.1 at Taylor and Francis here.

ANZJA vol. 20 Issue 1 2020 | Special Issue: EWar, Art and Visual Culture

This issue is edited by Kit Messham-Muir and Uroš Čvoro

Contributors include Joanna Bourke, Kate Warren, Anthea Gunn and Mikala Tai, Darren Jorgensen, Catherine Speck, Deborah Ascher Barnstone, Richard Bullen and Tets Kimura, Kit Messham Muir and Uroš Čvoro, Tim Gregory, Darren Jorgensen, Francis Russell, Geoffrey Batchen and Jeanette Hoorn, Richard Mackay AM with contributions from, Christina Dyson, Dinah Dysart, David Mackay, Howard Tanner and Kylie Winkworth.

Link to Vol. 20.1 at Taylor and Francis here.

ANZJA vol. 19 Issue 2 2019 | Special Issue: Australian Rock Art in the Expanded Field

This special issue is edited by Susan Lowish and Robert Gunn

Contributors include Susan Lowish and Robert Gunn, Ursula K. Frederick, Sarah Scott, Darren Jorgensen, Natalie Lynch, Helen McDonald, Clyde McGill, Una Rey, Darren Jorgensen, Catherine Speck and Julie Ewington.

Link to Vol. 19.2 at Taylor and Francis here.

ANZJA vol. 19 | Issue 1 2019 | Open Issue

This open issue is edited by Ian McLean.

Michaela Bear explores the complex production processes, historical precedents and cross-cultural perspectives informing Lisa Reihana’s moving image work in Pursuit of Venus [infected]; Stefan Popescu and Aleksandr Andrews Wansbrough analyse the various media and familial transgressions enacted in Huck Botko’s abject Dessertumentary series; Catherine De Lorenzo situates the art historical importance of Ar_atjara, an exhibition held in Düsseldorf in 1993 of traditional and contemporary Aboriginal and Torre Strait Islander art, predominantly initiated and directed by Aboriginal people; Tara McDowell undertakes a spatial and temporal leap, formally analysing and providing art historical context for John Baldessari’s Punishment Pieces enacted by surrogates in university contexts in 1971 and 2017; Margot Osbourne addresses the financial and social conditions that informed the collection of mid-century British art by Sir Kenneth Clark for the Art Gallery of South Australia; Klem James asserts a paradox at play in the later work of Salvador Dali between sublimation, spirituality and the erotic; Raymond Spiteri employs dissensus as a framework to further elucidate the relationship between surrealism and modernism; plus reviews.

Link to Vol. 19.1 at Taylor and Francis here.

ANZJA vol. 18 | Issue 2 2018 | Open Issue

This open issue is edited by Ann Elias and Steven H Whiteman.

Link to Vol. 18.2 at Taylor and Francis here.

ANZJA vol. 18 | Issue 1 2018 | Open Issue

This open issue is edited by Donna West Brett and Deborah Asher Barnstone.

Link to Vol. 18.1 at Taylor and Francis here.

ANZJA vol. 17 | Issue 2 2017 | ‘The Metamaterial Turn: Virtual and Simulative Contexts for Digital Art History’

This special issue is edited by Andrew Yip.

Link to Vol. 17.2 at Taylor and Francis here.

ANZJA vol. 17 | Issue 1 2017 | Open Issue

This open issue is edited by Mark Ledbury and Rachael Kent and features writing by Susan Ballard, Bridget Sutherland, Alex Burchmore and more.

Link to Vol. 17.1 at Taylor and Francis here.

ANZJA vol. 16 | Issue 2 2016 | ‘Asian Art Research in Australia and New Zealand: Past, Present, Future’

This issue of the Australian and New Zealand Journal of Art, features selected essays from the symposium ‘Asian Art Research in Australia and New Zealand: Past, Present, Future’

This issue is edited by Stephen H. Whiteman and Olivier Krischer.

Link to Vol. 16:2 at Taylor and Francis here.

ANZJA vol. 16 | Issue 1 2016 | Open Issue

Edited by Donna West Brett and Keith Broadfoot. An open issue with a range of articles and reviews of recent books and exhibitions. Contributors include Andrew McNamara, Tara MacDowell, Una Rey, Jamie Tsai, Deborah Ascher Barnstone, Ian Cook, John Clarke, Sheila Christofides, Andrew Yip, and Helen Hughes.

Link to Vol. 16:1 at Taylor and Francis here.

ANZJA vol. 15 | Issue 2 2015 | ‘Art and Feminism: 21st Century Perspectives’

Edited by Dr Jacqueline Millner University of Sydney; Dr Georgina Cole, National Art School; and Dr Catriona Moore, University of Sydney

This special issue called upon scholars working across historical, modern and contemporary art who are informed by feminist perspectives.

Link to Vol. 15:2 at Taylor and Francis here.

anzja vol 15ANZJA vol. 15 | Issue 1 2015 | Open Issue

Edited by Donna West Brett and Jacqueline Millner, University of Sydney. An open issue with a range of articles and reviews of recent books and exhibitions. Contributors include Felicity Fenner, Jacqueline Millner & Catriona Moore, Stephen Turner, Roger Benjamin, Emilio Escoriza & Emma Kindred, Catherine Speck, Kate Robertson, Campbell Lewis Ewing.

Link to Vol. 15:1 at Taylor and Francis here.

AAANZ-Journal-Vol-14ANZJA vol. 14 | Issue 2 2014 | Open Issue

Edited by Donna West Brett and Jacqueline Millner, University of Sydney. An open issue with a range of articles and reviews of recent books and exhibitions. Contributors include Caroline Jordan and Rebecca Rice, Catherine Speck and Lisa Slade, Elisabeth Findlay, Anthony White, Edward Hanfling, Daniel Palmer, Catherine Speck, Mark Shepheard, Roger Benjamin and Kathleen Davidson.

Contents here. Link to Vol. 14:2 at Taylor and Francis here.

American Art, Australian Focus, 1945-1975ANZJA vol. 14 | Issue 1 2014 | American Art, Australian Focus, 1945-1975

Guest edited by Roger Benjamin and managing editor Donna West Brett. There has been a crossing of paths between Australian and American visual art at least since photographers from California documented the 1850s gold rushes in New South Wales and Victoria. By tradition, however, colonial Australians looked to the United Kingdom and France for leadership in art training and aesthetics. It was not until the late 1940s, after the Pacific War, that Australian artists began to venture to New York in preference to Paris and London. The pace of Australian American exchanges quickenedfrom the mid-1960s, fuelled by art magazines, travelling exhibitions, and the movement of artworks, artists, and critics. The shift was mirrored in the collecting policies of James Mollison, the young curator of federal art collections who, from 1971, in forming a collection to be displayed in the National Gallery of Australia (NGA)—a building opened on the shores of Lake Burley Griffin, Canberra, in 1982—focused on recent American art.Guest Editor: Roger Benjamin. Contributors include Richard Shiff, Michael Hill, Meredith Morse, Charles W. Haxthausen, Keith Broadfoot, Rex Butler, Chris McAuliffe, Hannah Kothe, Adam Jasper, Ann Galbally.

Contents here. Link to Vol. 14:1 on Taylor and Francis here.

ANZJA Vol. 13 | Issue 1 2013 | Contact

This issue addresses the theme ‘Contact’ and were written in response to the themes of teh 2011 AAANZ conference held in Wellington. This theme encompasses a vast range of possible topics, from the encounter of an art historian with an artwork(or of an artist with their materials) to the intersection of province and metropole (or of settler cultural traditions and indigenous ones).

Link to Vol. 12 at Taylor and Francis here.

ANZJA Vol. 12 | 2012 | Open Issue

This is an open themed issue which includes articles and reviews from Sheridan Palmer, Isabel Wunsche, Sheila Christophides, Helen McDonald, Anthea Gunn, Keith Broadfoot, Anne Sanders, Susan Rothnie, Taryn Simon & Geoffrey Batchen, Allan Smith, Roger Benjamin, Susan Best, Courtney Pedersen, Sarah Scott, Andrew McNamara, Vivian Ziherl, Oliver Watts, Natalya Hughes, Hannah Kothe, Sheridan Palmer, Sheridan Palmer, Caroline Jordan, and Chrischona Schmidt.

Link to Vol. 12:1 at Taylor and Francis here.

The Journal_threeANJZA Vol. 11 | Issue 1 2011 | Art and Entertainment

This issue addresses the theme of ‘Art and Entertainment’. What is the relationship between art and entertainment today? Are they simply antithetical? And are we headed into a new ‘post-critical’ situation? Contributions by Catherine Liu, Sven Lütticken, Edward Colless, Damiano Bertoli, Jacqueline Millner, Justin Clemens, Nicholas Croggan and Charles Green. Plus an ‘Art and Entertain Forum’ and reviews. Jointly published with the Institute of Modern Art, Brisbane.

Contents here. Link to Vol. 11 at Taylor and Francis here.

The Journal_coverANZJA Vol. 10 | Issue 1 2009 | The Conference

This issue draws on papers from the 2008 Art Association conference in Brisbane. Glenn Adamson maps craft. Pamela M. Lee reads Oyvind Fahlstrom’s work through game theory. Richard Read looks at paintings of the backs of paintings. Leonard Bell links Augustus Earle and Charles Darwin. Juliette Peers ponders the neglect of early Australian fashion. Fae Brauer exposes double standards in depictions of children. Stephen Jones celebrates Australian computer-graphics pioneer Frank Eidlitz. Uta Daur characterises Tracey Moffatt’s work as melodramatic. Anthony Gardner applauds dissident artists Lia Perjovschi and Tom Nicholson. Plus reviews. Jointly published with the Institute of Modern Art, Brisbane.

Contents here. Link to Vol. 10 at Taylor and Francis here.

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ANZJA vol. 9 | Issue 1 2008 | 21st-century Art History

This bumper issue speculates on the forms art history will take in the wake of globalism, with contributions by Okwui Enwezor, Nakamura Kazue, Darren Jorgensen, Jan Baetens, John Clark, Alexander Alberro, Huw Hallam, Jennifer A. McMahon, Catherine Speck and Georgina Downey, Rex Butler and A. D. S. Donaldson, Christina Barton, and Melissa Miles; a forum on the history of the Asia-Pacific Triennial; projects by artists Michael Stevenson and Mladen Bizumic; plus book reviews. Jointly published with the Institute of Modern Art, Brisbane.

Contents here. Link to Vol. 9 at Taylor and Francis here.

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ANZJA vol. 8 | Issue 1 2007 | Post-Medium

This issue investigates the role of the medium today, when artists routinely work in and across different media. References to our current ‘post-medium condition’ have become ubiquitous and the old ideal of medium-specificity is firmly identified with high modernism. Do today’s post-medium practices demonstrate the redundancy of medium as a category for understanding art, or is medium still crucial to aesthetic judgement? Indeed, do post-medium practices mark a return to an earlier form of modernism? This issue of the “Journal” examines a wide range of critical positions and artistic practices which focus on the question of the medium in art. It features essays by Diarmuid Costello on Jeff Wall and Gerhard Richter, by Rosemary Hawker on Gerhard Richter, by Donna McColm on Morris Louis, and by Toni Ross on Andrea Zittel; an interview with French philosopher Jacques Ranciere; a pictorial by Berlin painter Katharina Grosse; and book and exhibition reviews. Jointly published with the Institute of Modern Art, Brisbane.

Contents here. Link to Vol. 8 at Taylor and Francis here.