Tag Archives: Call for Papers

AAANZ 2023 Conference – Call for Papers now open

The Call for Papers is now open! Who should apply The AAANZ Conference is held every year, and is the region’s major conference for art historians, artists and researchers. You should apply to present at the conference if you are an art historian, artist or a curator. Outside these core areas, we also welcome architecture, design and moving image historians, museum studies academics, and arts and design professionals. Read more about the conference and its format here. Questions about specific panels and submission of papers to panels should be directed to the conveners listed below. Any general questions about the […]

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Image from Choix de Chanson songbook of performers at piano and on violin

Call for Papers | Sound, Image, Text Symposium, Australian National University

Date: Thursday 24 and Friday 25 August 2023. Location: Australian National University, Canberra. Deadline: Friday 23 June. This symposium hosted by the Centre for Art History and Theory in the ANU School of Art and Design will be of interest to scholars, curators, or creative practitioners interested in the relationship between sound, image, and text in the history of music, art, and literature. The event is inspired by the digital critical edition of Jean-Benjamin de la Borde’s Choix de Chansons (1773), developed by an interdisciplinary team of art historians, musicologists and literary scholars from the Australian National University, University of […]

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Call for Panels

Call For Panels | DEMONSTRATIONS, 2022 AAANZ Conference Monash University and The University of Melbourne 1 – 3 December 2022 Call for Panels The Melbourne Conference Committee invites proposals for panels for the AAANZ conference, to be hosted by Monash University, and The University of Melbourne, 1 – 3 December 2022. Key details  The Call […]

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Call For Proposals: edited collection on museums and intersectionality

It has been more than three decades since Kimberlé Crenshaw coined the term ‘intersectionality’ as a conceptual tool with which to conceive subjectivity/identity as other than singular, and analyse the contextually-specific ways in which axes of power connect and cohere. The notion of intersectionality was also an attempt to move beyond the limitations of the ‘additive model’ which categorised individuals in terms of levels of oppression: for example, a working-class Blak lesbian with a disability would be understood as quadruply oppressed. While this model of identity had significant political import, it did not, and could not, grapple with the complex, […]

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Call for papers and sessions | Digital Intimacies #7: Conflict in My Outlook Symposium | University of Queensland

December 6 & 7, 2021. On site at The University of Queensland, plus virtual sessions.    Digital Intimacies #7 now invites abstracts, proposals for digital experiments and in-person or virtual sessions. We welcome papers across disciplines and approaches that explore the entanglements between our intimate experiences, feelings, affects, bodies and digital media and technologies. Due 15 August 2021.    The on-campus event will be run in partnership with UQ Art Museum’s Conflict in My Outlook: Don’t Be Evil exhibition. The symposium will conclude with a public keynote lecture by AI ethics scholar Kate Crawford on the subject of her new book Atlas of AI: […]

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Logo for Crisis conference

Call for Papers | CRiSiS 7th biennial conference of the European Network for Avant-Garde and Modernism Studies (

CRiSiS | 7th biennial conference of the European Network for Avant-Garde and Modernism Studies University of Leuven, Belgium, 17-19 Sept. 2020 Conference website: http://www.eam-europe.be/2020-conference CALL FOR PROPOSALS Notions of crisis have long charged the study of the European avant-garde and modernism. Throughout their history, avant-gardists and modernists have faced crises, be they economic or political, scientific or technological, aesthetic or philosophical, collective or individual, local or global, short or perennial. Modernists and avant-gardists have in turn continually stood accused of instigating crises, whether artistic or cultural, sensorial or conceptual, incidental or intentional, far-reaching or negligible, representational or other. The very concepts […]

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Call for Submissions | Symposium – Women, Art and Feminism in Australia Since 1970

A two day symposium as part of the ARC project Women Art and Feminism in Australia since 1970. The symposium will be held on the 22 and 23 of February 2018 alongside Doing Feminism/Sharing the World (an artist-in-residency program from December – February at the Norma Redpath House) and the Australian Centre for Contemporary Art’s feminist exhibition Unfinished Business. We hope you will be interested to contribute and/or attend the symposium. There are a variety of ways to present listed on the site. Please circulate the call for submission to anyone you think might be interested.  Call for submissions closes November 17, 2017. […]

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Art and Its Directions | Call For Papers

GENERAL INFORMATION | KEYNOTE SPEAKERS | SPECIAL EVENT | CALL FOR SESSIONS CALL FOR PAPERS | REGISTRATION & ACCOMODATION | POSTGRADUATE DAY | POSTGRADUATE BURSARIES | CONFERENCE PROGRAM The Conference Committee would like to invite proposals for papers for the AAANZ 2017 Conference to be held at the University of Western Australia, Perth, from 6 to 8 December 2017.  The […]

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CFP | Natures and Spaces of Enlightenment (David Nichol Smith Seminar), Griffith University and the University of Queensland, December 13-15, 2017

Brisbane, Griffith University and the University of Queensland, December 13 – 15, 2017 Deadline: Aug 1, 2017 The Australian and New Zealand Society for Eighteenth-Century Studies is pleased to announce that the sixteenth David Nichol Smith Seminar, Natures and Spaces of Enlightenment, will be held in Brisbane, Australia, at Griffith University and the University of Queensland on the 13th to 15th December 2017. We welcome proposals for papers or panels on the theme ‘Natures and Spaces of Enlightenment’, broadly conceived as referring to the plurality of Enlightenments as well as the ideas and uses of nature which they endorsed, and the spaces in […]

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