Symposium – Regions of the Contemporary: Transnational Art Festivals and Exhibitions in 1990s Southeast Asia
Join us for this three-day symposium to reflect on critical events for transnational contemporary art across Southeast Asia in the 1990s. Informed by recent archival research undertaken into Chiang Mai Social Installation (CMSI), an artist-initiated festival held in northern Thailand (see Simon Soon’s essay in the upcoming issue of Afterall), we propose three key questions for discussion: How did CMSI, and gatherings like it, inform and displace the more deliberate, institutional pictures of a region propagated elsewhere, for example by large triennials in Brisbane and Fukuoka? If Southeast Asia was still peripheral to the art world’s centres in the 1990s, […]
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