The exhibitionists: a history of Sydney’s Art Gallery of New South Wales

Publication Details Hard cover, 250 × 218 mm, 296 pp, approx 260 images in colour and black & white. ISBN: 9781741741544

Author and/or Editor name/s Steven Miller

Author and/or Editor bio/s Steven Miller is head of the National Art Archive and Capon Research Library at the Art Gallery of New South Wales. He has published widely on art, and his most recent books are ‘Awakening: four lives in art’ (Wakefield Press, 2015) with Eileen Chanin, and ‘Dogs in Australian art’ (Wakefield Press, 2nd ed, 2016). His book ‘Degenerates and perverts: the 1939 Herald exhibition of French and British contemporary art’ with Eileen Chanin, won the NSW Premier’s Australian History Award in 2006.

Year of Publication 2021

Publisher Art Gallery of New South Wales, Sydney

Abstract In 2021, the Art Gallery of New South Wales celebrated its 150th anniversary. Since its founding as an academy of art in 1871, its evolution into one of Australia’s premier public art museums is testament to the enthusiasm and ingenuity of its staff, trustees and supporters, and to the artists whose works have drawn in the people of Sydney and beyond.

‘The exhibitionists’ is the story of the people who made the Gallery. It peels away the layers of official narratives to find the often-overlooked histories bubbling beneath the surface. These are tales of big personalities and great talents, of groundbreaking exhibitions and table-thumping conflicts, all underpinned by an unwavering commitment to bringing art to the people.

Steven Miller, the Gallery’s archivist, is uniquely placed to bring these stories to light. It’s an inside view, and an outside one too, as Miller steps back to explore the society and cultural values that produced this iconic institution and tracks how it has morphed and modernised in step with those values – and ahead of them – for the last century and a half.

‘The exhibitionists’ brings to light the history of an art museum in its 150th year – an anniversary also reached by The Metropolitan Museum, New York, last year. It is both a local Sydney story but part of a broader international one in the ways public museums develop, represent and present culture and evolve with the times.