Category Archives: Conference

Ngā Tūtaki – Encounter/s | Keynotes

Each keynote speaker will be running a masterclass for postgraduates and early career researchers. See here for more information. Jill Burke a leading international expert in Italian Renaissance Art. Her research and teaching focuses on the representation and understanding of the body in Italy and Europe from around 1400-1600 and she has published widely in […]

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AAANZ Conference, Prizes, Journal: Thank You

Last Friday saw the conclusion of a successful and rewarding Art Association of Australia and New Zealand Conference at the RMIT University School of Art in Melbourne. The Association would like to thank the RMIT Conference Co-convenors Marnie Badham and Daniel Palmer; Grace McQuilten; and Amy Spiers, the Conference Producer, for producing such an excellent and stimulating event. Gratitude is also due to the entire Conference Committee, and the many Conference Volunteers who worked tirelessly to ensure the smooth running of the event. The sheer number of speakers and delegates (the highest for any conference in the Association’s history), the […]

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Aboriginal Art and Knowledge Engagement – Trinity College, University of Melbourne – 25 November 2018

The free one-day symposium Aboriginal Art and Knowledge Engagement will examine the central role Australian Aboriginal artistic practice plays in the exchange of ideas, especially in teaching and cultural learning.  Keynote presenter Dr Henry Skerritt from the University of Virginia will be joined by colleagues from the University of Melbourne, Aboriginal art communities, conservators and the commercial gallery sector, to explore this fascinating subject. The Aboriginal Art and Knowledge Engagement symposium will be held in the Gateway Building, Trinity College, at the University of Melbourne, on Sunday, 25 November, between 9.30am-5.00pm, following by networking drinks.   https://www.trinity.unimelb.edu.au/artsymposium2018

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CFP: The Values of Architecture and the Economy of Culture (Brisbane, Australia, 13-15 June 2019)

The Values of Architecture and the Economy of Culture Abstract Deadline: 26 November 2018 Architecture has always been found in a space between its monetary and cultural values, but the rise of the concept of the cultural economy asks new questions as to how these values of architecture intersect and affect one another. Discussions of the cultural economy tend to deal with architecture and urban design as the infrastructure of culture, asking questions such as: what building types and land values enable a vibrant popular music culture; or, what landmark cultural flagships drive cultural tourism and city branding. Architecture itself […]

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Symposia: Minimalist/Maximalist, National Gallery of Australia, 19-20 October

  This symposium explores a key period in American art to focus on two tendencies generally regarded as polar opposites—minimalism and photo-realism. Minimalism’s impact is traced in works using light, land and installation art, as well as through feminist practice and in architecture, to examine resonances today. The importance of realism, a much-neglected aspect of the period, is also considered. Building on from two highly successful past events—Action. Painting. Now. (NGA 2012) and Minimal. Conceptual. Pop. (AGNSW 2013)—this symposium seeks to expand the dialogue between American and Australian artists, art historians and cultural critics. Keynote speaker James Meyer, National Gallery of Art, Washington […]

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Graphic Encounters Conference – Arts West, University of Melbourne, 7-9 November 2018

GRAPHIC ENCOUNTERS (MELBOURNE, 7-9 NOV 18) Dr. Liz Conor Arts West, The University of Melbourne Melbourne, Australia 11/07/2018-11/09/2018, 9am-5pm To be held 7-9 November in Melbourne, the Graphic Encounters conference will be presented by La Trobe’s Department of Archaeology and History and the Centre for the Studies of the Inland. The conference hopes to provide a welcoming, inclusive forum in which conversations can be started, and in some cases continued, on prints depicting Aboriginal Australians. There are many, diverse people interested in this colonial visual archive within and beyond the academy – scholars, librarians, bibliophiles, art historians, curators, artists, collectors, […]

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