ANZJA | Vol 24 Issue 2 (2024)
Link to Vol. 24.2 at Taylor and Francis
Articles
Pointing the Finger: Critical Settler Artists Disclosing Silences in Australia’s History
Amy Spiers & George Criddle
Ian Burn and the Aporias of Conceptual Art
Alexander Alberro
Book Review
Ian Burn: Collected Writings 1966–1993 edited by Ian Burn, edited by Ann Stephen, Power Publications, KW Institute for Contemporary Art and Verlag der Buchhandlung Walther und Franz König, 2024
Rex Butler
Essay
On Time
Sarah Rodigari
Articles
Drawn by War: The Peter Townsend Collection of Modern Chinese Woodblock Prints in the National Gallery of Australia
Claire Roberts
Assigning Hanuju: Visualising Rotuman Tattoo
Dorell Ben
Child Art and Modern Art: Frances Derham’s Children’s Art Exhibitions in the 1930s
Anthony White
Not the (W)hole Story: Morris Louis’s Unfurleds
Edward Hanfling
Significant Otherness: Faith and Place in the Art of Leo Kelly
Anna Parlane
Gaps Fit for Fabulation: Creative Speculation in the Fissures of the Archive
Drew Pettifer, Laura McLean & D. A. Calf
Comment
I’ve Forgotten What I Was Going to Say/This is Not a Brick
Sean Loughrey
Article
Dyeing Vegetable-Tanned Leather in Northern Ghana: Dyes and Marbling Techniques
Issah Mohammed Seinia, Eunice Achampomaah Ameyaw & Hamza Alhassan
Book Reviews
Culture is not an industry: Reclaiming art and culture for the common good by Justin O’Connor. Manchester University Press
Andrew McNamara
Precarious Movements: Choreography and the Museum by Erin Brannigan et al., National Gallery of Victoria
Helena Grehan
Exhibition
Amplify: Story, Resistance, Radio Tin Sheds Gallery, Sydney, October 5–November 18 2023
Gail Priest
ANZJA | Vol 24 Issue 1 (2024)
Editors: Amelia Winata, Cameron Hurst, Chelsea Hopper, Giles Fielke, Helen Hughes, Hilary Thurlow & Paris Lettau
Link to Vol. 24.1 at Taylor and Francis
Editors’ Introduction
Amelia Winata, Cameron Hurst, Chelsea Hopper, Giles Fielke, Helen Hughes, Hilary Thurlow & Paris Lettau
Article
The First Exhibition of the Twenty-First Century—Lumbung 1 (documenta fifteen), What Happened, and What It Might Mean Two Years On
Charles Esche
Comment
Responses to Charles Esche, The First Exhibition of the Twenty-First Century—Lumbung 1 (documenta fifteen), What Happened, and What It Might Mean Two Years On
Tara Heffernan, Naveed Farro, Nikos Papastergiadis, Danny Butt, Tara McDowell & Victoria Lynn
Essay
Charles Esche and Richard Bell: Reassessing documenta fifteen
Charles Esche & Richard Bell
Articles
Unintended Consequences: Withdrawal from Documenta
Terry Smith
‘Making Friends’ as Labour: The Political Economy of the Lumbung in documenta fifteen
Can T. Yalçınkaya
Formation of the BIPOC Collective at the Victorian College of the Arts
Grace Fuentealba, Naimo Omar, Kianna Juma, Rachelle Koumouris, Lara Oluklu, Alex Martinis Roe, Tristen Harwood & Lauren Burrow
Unorchestrated Symphony: documenta fifteen as a Site of Resistance
Di Liu
Three Projects Peripheral to Documentas 7, 8 and IX
Thomas Ragnar
Beyond ‘Frustration’: Rethinking Participation and Collectivity in documenta fifteen
Claudia König
Book Reviews
UnAustralian Art: Ten Essays on Transnational Art History by Rex Butler and ADS Donaldson, Power Publications, 2022
Victoria Souliman
Poetics of Encryption, KW Institute for Contemporary Art, Berlin, 17 February–26 May 2024
Ella Barclay
Exhibition
Defunct Infrastructure: On the 60th Venice Biennale, Stranieri Ovunque – Foreigners Everywhere
Lana Nguyen
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