• Follow Us
  • About
    • About the Association
    • Indigenisation Values Statement
    • Executive and Staff
    • Contact Us
    • Subscribe to our newsletter
    • Privacy Statement
    • Annual General Meeting 2024
  • Membership
    • Membership Benefits
    • Membership Order Page
  • News
  • Advocacy
    • Advocacy Policy
    • Advocacy Working Groups
    • Current and Past Campaigns
  • Conferences
    • 2024 Conference | Past, Present, Possible Futures
    • Past Conferences
      • 2023 Conference | Griffith University
      • 2022 Conference | Demonstrations
        • Conference site
        • Organising Principles
        • Fees and Bursaries
          • Individual Registration
          • Institution Registration
        • FAQs
      • 2021 Conference | Impact
      • 2019 Conference
      • 2018 Conference
      • 2017 Conference
      • 2016 Conference
      • 2015 Conference
      • 2014 Conference
      • 2013 Conference
      • 2012 Conference
      • 2011 Conference
      • 2010 Conference
      • 2009 Conference
      • 2008 Conference
      • 2007 Conference
      • 2006 Conference
      • 2005 Conference
      • 2004 Conference Auckland
      • 2003 Conference Canberra
      • 2002 Conference
  • Journal
    • ANZJA Current Issue
    • Past Issues
    • ANZJA Call for Papers
    • Propose a Special Issue for ANZJA
  • Mentoring
  • Awards and Funding
    • Early Career Publishing Program
    • PhD Prize
      • PhD Prize 2023
      • PhD Prize 2022
      • RESEARCH IN FOCUS 2021
      • Research in Focus 2020
    • AIAH Early Career Research Award
      • AIAH Art History Research Grants 2022 Form
      • AIAH Art History Research Grant Recipients 2021
        • AIAH Art History Research Grant Acquittal 2021
      • AIAH Art History Research Grant Recipients 2020
        • AIAH Art History Research Grant Acquittal 2020
    • Art Writing and Publishing Awards
      • 2022 Prizes
        • A shared vision: The Hunter Collection
        • After The Australian Ugliness
        • Art and Nature in the Anthropocene: Planetary Aesthetics
        • ART + CLIMATE = CHANGE II
        • Art Writing in Crisis
        • Atlas of Maritime Buddhism
        • Australia at the Venice Biennale: A Century of Contemporary Art
        • Bark Ladies: Eleven Artists from Yirrkala
        • Bill Hammond: Across the Evening Sky
        • Bogimbah Creek Mission: The First Aboriginal Experiment
        • Brett Graham: Tai Moana Tai Tangata
        • Camille Henrot
        • Carbon Matter(s)
        • Choreographing Intersubjectivity in Performance Art
        • Dale Harding: There is no before
        • Dale Harding: Through a lens of visitation
        • David Rosetzky: Composite Acts
        • Doing Feminism: Women’s Art and Feminist Criticism in Australia
        • Dual/Duel
        • Dušan and Voitre Marek: Surrealists at sea
        • ECONOMYTHOLOGIES
        • European Masterpieces from The Metropolitan Museum of Art, New York
        • Fairweather and China
        • Fiona Foley Provocateur: An Art Life
        • Fiona Foley: Veiled Paradise
        • Flesh after Fifty: Changing images of older women in Art
        • “Following Kungka Kutjarra,” in Irrititja Kuwarri Tjungu | Past and Present Together: Fifty Years of Papunya Tula Artists
        • Frances Burke: Designer of Modern Textiles
        • French Impressionism from the Museum of Fine Arts, Boston
        • Homework
        • It’s not personal: Post 60s body art and performance
        • Joanna Margaret Paul – Imagined in the context of a room
        • Gabrielle Chanel. Fashion Manifesto
        • Golden Shells and Elegant Games of Japan
        • Goya: Drawings from the Prado Museum
        • Graphic Identities
        • Groundwork
        • HELLZAPOPPIN’! The Art of Flying Nun
        • HG:60
        • Hilma af Klint: The secret paintings
        • Hybrid
        • I always knew you were the shape – an essay about the artwork of Guy Benfield
        • Light & Darkness: Late Modernism and the JW Power Collection
        • Matisse: Life & spirit, masterpieces from the Centre Pompidou, Paris
        • Ngā Tai Whakarongorua | Encounters
        • Nicole Ellis: Fabrications
        • Out of Place
        • Performance Costume: New Perspectives and Methods
        • Rita Angus: An Artist’s Life
        • Rita Angus: New Zealand Modernist
        • Robert MacPherson: Nominal Gestures
        • Round About or Inside
        • She-Oak and Sunlight: Australian Impressionism
        • Source Materials
        • Space Practising Tools
        • Surrealism
        • Surrealist Art | He Toi Pohewa
        • Susan Ecker | Subject: Studio
        • Tarnanthi
        • Te Puna Waiora: The Distinguished Weavers of Te Kāhui Whiritoi
        • Tense Past
        • The Asian Modern
        • The Back of the Painting
        • The Color of Modernism
        • The Data Imaginary: Fears and Fantasies
        • The exhibitionists: a history of Sydney’s Art Gallery of New South Wales
        • The image is not nothing (Concrete Archives) Catalogue
        • The Lure of the Social – Encounters with Contemporary Artists
        • The present moment: The art of Clarice Beckett
        • The 10th Asia Pacific Triennial of Contemporary Art (APT10)
        • There we were all in one place
        • Tree Story
        • Uneven Bodies (Reader)
        • Victory over Death: The Art of Colin McCahon
        • WARWAR: The Art of Torres Strait
        • Where Lakes Once Had Water
        • William Yang: Seeing and Being Seen
      • 2021 PRIZES
        • A Sorrowful Act: The Wreck of the Zeewijk
        • Agatha Gothe-Snape: The Outcome Is Certain
        • Billy Apple® Life/Work
        • Cognitive Dissidents: Reasons to be Cheerful
        • Italian Modern Art in the Age of Fascism
        • Gordon Bennett: Selected Writings
        • Hidden Light: Early Canterbury and West Coast Photography
        • She Persists: Perspective on Women in Art & Design
        • Te Manu Huna a Tāne
        • The Australian Art Field: Practices, Policies, Institutions
        • Unfinished Business: The Art of Gordon Bennett
        • Where Dragon Veins Meet: the Kangxi Emperor and His Estate at Rehe
      • 2020 Prizes
        • AWAPAs Winners │Highly Commended │Entries 2020
          • All men choose the path they walk: Art and the scales of justice
          • Apparitions: Photography and Dissemination
          • Bonita Ely: Future Tense
          • Capturing Nature: Early Scientific Photography at the Australian Museum 1857–1893
          • Cosmopolitan: Art from the 1930s in the University of Western Australia Art Collection and the Cruthers Collection of Women’s Art
          • Darren Sylvester: carve a future, devour everything, become something
          • Edith Amituanai: Double Take
          • Eugenia Raskopoulos: Vestiges of the Tongue
          • Louise Henderson: From Life
          • Melbourne Modern: European Art & Design at RMIT Since 1945
          • On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell
          • Phone & Spear: a Yuta Anthropology
          • Photography and Ontology: Unsettling Images
          • Shapes of Knowledge
          • Spiritual Journeying: The Art of Tim Johnson
      • 2019 prizes
      • 2018 Prizes
      • 2017 Prizes
      • 2016 Prizes
      • 2015 Prizes
        • 2011 Prizes
          • 2010 Prizes
      • 2014 Prizes
      • 2013 Prizes
      • 2012 Prizes
      • 2009 Prizes
      • 2008 Prizes
  • Directory
    • Directory of Art Historians and Art Researchers in the Asia Pacific Region
  • AAANZ 50 Years
  • About
    •         - About the Association
    •         - Indigenisation Values Statement
    •         - Executive and Staff
    •         - Contact Us
    •         - Subscribe to our newsletter
    •         - Privacy Statement
    •         - Annual General Meeting 2024
  • Membership
    •         - Membership Benefits
    •         - Membership Order Page
  • News
  • Advocacy
    •         - Advocacy Policy
    •         - Advocacy Working Groups
    •         - Current and Past Campaigns
  • Conferences
    •         - 2024 Conference | Past, Present, Possible Futures
    •         - Past Conferences
      •                 - 2023 Conference | Griffith University
      •                 - 2022 Conference | Demonstrations
        •                         - Conference site
        •                         - Organising Principles
        •                         - Fees and Bursaries
          •                                 - Individual Registration
          •                                 - Institution Registration
        •                         - FAQs
      •                 - 2021 Conference | Impact
      •                 - 2019 Conference
      •                 - 2018 Conference
      •                 - 2017 Conference
      •                 - 2016 Conference
      •                 - 2015 Conference
      •                 - 2014 Conference
      •                 - 2013 Conference
      •                 - 2012 Conference
      •                 - 2011 Conference
      •                 - 2010 Conference
      •                 - 2009 Conference
      •                 - 2008 Conference
      •                 - 2007 Conference
      •                 - 2006 Conference
      •                 - 2005 Conference
      •                 - 2004 Conference Auckland
      •                 - 2003 Conference Canberra
      •                 - 2002 Conference
  • Journal
    •         - ANZJA Current Issue
    •         - Past Issues
    •         - ANZJA Call for Papers
    •         - Propose a Special Issue for ANZJA
  • Mentoring
  • Awards and Funding
    •         - Early Career Publishing Program
    •         - PhD Prize
      •                 - PhD Prize 2023
      •                 - PhD Prize 2022
      •                 - RESEARCH IN FOCUS 2021
      •                 - Research in Focus 2020
    •         - AIAH Early Career Research Award
      •                 - AIAH Art History Research Grants 2022 Form
      •                 - AIAH Art History Research Grant Recipients 2021
        •                         - AIAH Art History Research Grant Acquittal 2021
      •                 - AIAH Art History Research Grant Recipients 2020
        •                         - AIAH Art History Research Grant Acquittal 2020
    •         - Art Writing and Publishing Awards
      •                 - 2022 Prizes
        •                         - A shared vision: The Hunter Collection
        •                         - After The Australian Ugliness
        •                         - Art and Nature in the Anthropocene: Planetary Aesthetics
        •                         - ART + CLIMATE = CHANGE II
        •                         - Art Writing in Crisis
        •                         - Atlas of Maritime Buddhism
        •                         - Australia at the Venice Biennale: A Century of Contemporary Art
        •                         - Bark Ladies: Eleven Artists from Yirrkala
        •                         - Bill Hammond: Across the Evening Sky
        •                         - Bogimbah Creek Mission: The First Aboriginal Experiment
        •                         - Brett Graham: Tai Moana Tai Tangata
        •                         - Camille Henrot
        •                         - Carbon Matter(s)
        •                         - Choreographing Intersubjectivity in Performance Art
        •                         - Dale Harding: There is no before
        •                         - Dale Harding: Through a lens of visitation
        •                         - David Rosetzky: Composite Acts
        •                         - Doing Feminism: Women’s Art and Feminist Criticism in Australia
        •                         - Dual/Duel
        •                         - Dušan and Voitre Marek: Surrealists at sea
        •                         - ECONOMYTHOLOGIES
        •                         - European Masterpieces from The Metropolitan Museum of Art, New York
        •                         - Fairweather and China
        •                         - Fiona Foley Provocateur: An Art Life
        •                         - Fiona Foley: Veiled Paradise
        •                         - Flesh after Fifty: Changing images of older women in Art
        •                         - “Following Kungka Kutjarra,” in Irrititja Kuwarri Tjungu | Past and Present Together: Fifty Years of Papunya Tula Artists
        •                         - Frances Burke: Designer of Modern Textiles
        •                         - French Impressionism from the Museum of Fine Arts, Boston
        •                         - Homework
        •                         - It’s not personal: Post 60s body art and performance
        •                         - Joanna Margaret Paul – Imagined in the context of a room
        •                         - Gabrielle Chanel. Fashion Manifesto
        •                         - Golden Shells and Elegant Games of Japan
        •                         - Goya: Drawings from the Prado Museum
        •                         - Graphic Identities
        •                         - Groundwork
        •                         - HELLZAPOPPIN’! The Art of Flying Nun
        •                         - HG:60
        •                         - Hilma af Klint: The secret paintings
        •                         - Hybrid
        •                         - I always knew you were the shape – an essay about the artwork of Guy Benfield
        •                         - Light & Darkness: Late Modernism and the JW Power Collection
        •                         - Matisse: Life & spirit, masterpieces from the Centre Pompidou, Paris
        •                         - Ngā Tai Whakarongorua | Encounters
        •                         - Nicole Ellis: Fabrications
        •                         - Out of Place
        •                         - Performance Costume: New Perspectives and Methods
        •                         - Rita Angus: An Artist’s Life
        •                         - Rita Angus: New Zealand Modernist
        •                         - Robert MacPherson: Nominal Gestures
        •                         - Round About or Inside
        •                         - She-Oak and Sunlight: Australian Impressionism
        •                         - Source Materials
        •                         - Space Practising Tools
        •                         - Surrealism
        •                         - Surrealist Art | He Toi Pohewa
        •                         - Susan Ecker | Subject: Studio
        •                         - Tarnanthi
        •                         - Te Puna Waiora: The Distinguished Weavers of Te Kāhui Whiritoi
        •                         - Tense Past
        •                         - The Asian Modern
        •                         - The Back of the Painting
        •                         - The Color of Modernism
        •                         - The Data Imaginary: Fears and Fantasies
        •                         - The exhibitionists: a history of Sydney’s Art Gallery of New South Wales
        •                         - The image is not nothing (Concrete Archives) Catalogue
        •                         - The Lure of the Social – Encounters with Contemporary Artists
        •                         - The present moment: The art of Clarice Beckett
        •                         - The 10th Asia Pacific Triennial of Contemporary Art (APT10)
        •                         - There we were all in one place
        •                         - Tree Story
        •                         - Uneven Bodies (Reader)
        •                         - Victory over Death: The Art of Colin McCahon
        •                         - WARWAR: The Art of Torres Strait
        •                         - Where Lakes Once Had Water
        •                         - William Yang: Seeing and Being Seen
      •                 - 2021 PRIZES
        •                         - A Sorrowful Act: The Wreck of the Zeewijk
        •                         - Agatha Gothe-Snape: The Outcome Is Certain
        •                         - Billy Apple® Life/Work
        •                         - Cognitive Dissidents: Reasons to be Cheerful
        •                         - Italian Modern Art in the Age of Fascism
        •                         - Gordon Bennett: Selected Writings
        •                         - Hidden Light: Early Canterbury and West Coast Photography
        •                         - She Persists: Perspective on Women in Art & Design
        •                         - Te Manu Huna a Tāne
        •                         - The Australian Art Field: Practices, Policies, Institutions
        •                         - Unfinished Business: The Art of Gordon Bennett
        •                         - Where Dragon Veins Meet: the Kangxi Emperor and His Estate at Rehe
      •                 - 2020 Prizes
        •                         - AWAPAs Winners │Highly Commended │Entries 2020
          •                                 - All men choose the path they walk: Art and the scales of justice
          •                                 - Apparitions: Photography and Dissemination
          •                                 - Bonita Ely: Future Tense
          •                                 - Capturing Nature: Early Scientific Photography at the Australian Museum 1857–1893
          •                                 - Cosmopolitan: Art from the 1930s in the University of Western Australia Art Collection and the Cruthers Collection of Women’s Art
          •                                 - Darren Sylvester: carve a future, devour everything, become something
          •                                 - Edith Amituanai: Double Take
          •                                 - Eugenia Raskopoulos: Vestiges of the Tongue
          •                                 - Louise Henderson: From Life
          •                                 - Melbourne Modern: European Art & Design at RMIT Since 1945
          •                                 - On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell
          •                                 - Phone & Spear: a Yuta Anthropology
          •                                 - Photography and Ontology: Unsettling Images
          •                                 - Shapes of Knowledge
          •                                 - Spiritual Journeying: The Art of Tim Johnson
      •                 - 2019 prizes
      •                 - 2018 Prizes
      •                 - 2017 Prizes
      •                 - 2016 Prizes
      •                 - 2015 Prizes
        •                         - 2011 Prizes
          •                                 - 2010 Prizes
      •                 - 2014 Prizes
      •                 - 2013 Prizes
      •                 - 2012 Prizes
      •                 - 2009 Prizes
      •                 - 2008 Prizes
  • Directory
    •         - Directory of Art Historians and Art Researchers in the Asia Pacific Region
  • AAANZ 50 Years

petition: save the warburg

June 26, 2014News

Click here for ‘Petition: Save the Warburg Institute!’

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)

Related

insea 2014
the life of things: call for papers

Spread the word. Share this post!

Receive news posts via email

Submit an item to AAANZ news

This news page lists conferences, calls for papers, lecture series, job and funding opportunities. We also list news about publications by members, new appointments and other items of interest.

Items listed in news are also sent out weekly via our email list, and shared on our facebook and twitter pages.

To submit an item please send the information to admin@aaanz.info

Please include the following: clear information in plain text or an attached word document, any images you would like included, and contact information/website where applicable.

Topics

  • AAANZ Conference
  • Advocacy
  • ANZJA
  • AWAPA
  • Book
  • Brisbane
  • Call for Articles
  • Call for Panels
  • Call for Papers
  • Conference
  • Events
  • Exhibition
  • Funding
  • General
  • Grants
  • Jobs
  • Journal
  • Member News
  • Membership
  • News
  • Obituary
  • Opportunity
  • Prizes
  • Professional Development
  • Publication
  • Reports
  • Research Fellowship
  • Resources
  • Teaching and Learning

Latest News

  • Notice of AAANZ 2024 annual general meeting
  • CALL FOR PAPERS | AUSTRALIAN AND NEW ZEALAND JOURNAL OF ART 25.2: OPEN ISSUE | Deadline 20 December
  • AAANZ declaration of election for appointment to positions on the Executive Committee including President – Nominations close this Friday
  • Obituary Leon Paroissien
  • AAANZ 2024 conference | Early bird registration closes Sunday 10 November

News Archives

  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • April 2023
  • March 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • July 2015
  • March 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • November 2013
  • August 2013
  • July 2013
  • May 2013
  • February 2013
  • December 2012
  • November 2012
  • August 2012
  • July 2012
  • May 2012
  • March 2012
  • February 2012
  • January 2012
  • July 2011
  • May 2011

The Art Association of Australia and New Zealand is currently based in Darwin, Northern Territory.

Contact Details

Email: admin@aaanz.info

Address: Art Association of Australia and New Zealand, PO Box 325, Parap, Northern Territory 0804

ABN: 43547605913

Phone: +61 407 311 855

See the About Us page for contact details of our regional representatives.

Developed by Think Up Themes Ltd. Powered by WordPress.