Women* Art and Feminism in Australia since 1970
A Doing Feminism / Sharing the World Symposium
Doing Feminism / Sharing the World explores participatory art practice and collective collaborations in a three-month program of artist residencies, artists’ talks and a symposium. Its focus is on collaboration and participatory and public projects informed by a feminist ethics that addresses ‘sharing the world’.
Towards the end of the residency program, we will convene for a Symposium at the Victorian College of the Arts (VCA) with participating artists, writers, critics and historians exploring issues associated with feminist participatory art and women art and feminism more broadly.
Women*, Art and Feminism in Australia since 1970 seeks to bring together diverging and complementary views on feminism, its history, practice and critical positions in the visual arts.
*trans and non-binary inclusive
For more information, visit https://doingfeminism-sharingtheworld.tumblr.com/
For more information, visit https://doingfeminism-sharingtheworld.tumblr.com/
or contact Professor Anne Marsh wafamelb@gmail.com
Session times
Wednesday 21 February
Keynote Presentation 6.30pm-9.30pm
Thursday 22 February
Panels and Events 9.30am-5.30pm
Keynote Presentation 6.30pm-8.00pm
Friday 23 February
Panels and Events 9.30am-5.30pm
Closing drinks and ACCA tour (5.30pm-7.00pm).
Keynote Presentation 6.30pm-9.30pm
Thursday 22 February
Panels and Events 9.30am-5.30pm
Keynote Presentation 6.30pm-8.00pm
Friday 23 February
Panels and Events 9.30am-5.30pm
Closing drinks and ACCA tour (5.30pm-7.00pm).
Tickets
Full Symposium Pass: $200 (lunches included)
Keynotes Only Pass: $100
Student, Unwaged, Delegate and Single Day tickets also available. Visit Eventbrite for more details.
Keynotes Only Pass: $100
Student, Unwaged, Delegate and Single Day tickets also available. Visit Eventbrite for more details.
Banner image: Tal Fitzpatrick, appliqué protest banners at the Black Friday Rally, Melbourne CBD, 2015.
Doing Feminism / Sharing the World is generously supported by The Faculty of the Victorian College of the Arts, University of Melbourne, The Australian Research Council, The Australia Council for the Arts, Creative Victoria and The City of Melbourne