Monthly Archives: June 2023

Call for papers | 36th CIHA Congress | Deadline 15 September 2023

The 36th CIHA Congress will host more than 90 panels over 4 days of conferences. Submission proposals are invited. Consult the list of panels on the website: Call for papers. The panels are divided into 15 themes on the submission platform for easy browsing. Check out the platform of the Call for papers here Proposals for papers must include: • a title • an abstract of 350 to 500 words • a CV of 500 characters Proposals will be reviewed by the chairs of the panels. Deadline for submission of paper proposals: 15 September 2023 Travel grants will be available. Call for […]

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Job | Assistant Curator of Art – Australian War Memorial

Under general direction, the Assistant Curator participates in the care, custody and day to day administration of the Art Collection.  The work involves: responding to enquiries and liaising with clients, artists, institutions and organisations; contributing to collection development; and performing a range of tasks associated with control, maintenance and care of the collection using the Memorial’s collection management system. A Tertiary qualification in the field of Art History is required for this position. Core Responsibilities Under general direction and professional supervision participate in the control, maintenance, care and development of the art collection, including: Prepare recommendations related to acquisitions; Undertake […]

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Image from Choix de Chanson songbook of performers at piano and on violin

Call for Papers | Sound, Image, Text Symposium, Australian National University

Date: Thursday 24 and Friday 25 August 2023. Location: Australian National University, Canberra. Deadline: Friday 23 June. This symposium hosted by the Centre for Art History and Theory in the ANU School of Art and Design will be of interest to scholars, curators, or creative practitioners interested in the relationship between sound, image, and text in the history of music, art, and literature. The event is inspired by the digital critical edition of Jean-Benjamin de la Borde’s Choix de Chansons (1773), developed by an interdisciplinary team of art historians, musicologists and literary scholars from the Australian National University, University of […]

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