Category Archives: ANZJA

ANZJA Current Issue | Vol 20 Issue 1 2020 | EWar, Art and Visual Culture

ANZJA

ANZJA Current Issue | Vol 20 Issue 1 2020 | EWar, Art and Visual Culture Editors: Kit Messham-Muir and Uroš Čvoro Link to Vol. 20.1 at Taylor and Francis here. Articles Cruel Visions: Reflections on Artists and Atrocities Joanna Bourke Artists, Institutions, Publics: Contemporary Responses to Conflict Kate Warren, Anthea Gunn and Mikala Tai George Gittoes in an Era of Post-Heroic, Hyper-Real Warfare Darren Jorgensen Thunder Raining Poison: The Lineage of Protest Against Mid-century Catherine Speck Paradoxes of War Critique on Display: The Dresden Bundeswehr Deborah Ascher Barnstone Japanese Art in Australasia During the Second World War Richard Bullen and Tets […]

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Call for Papers | Australian and New Zealand Journal of Art | Open Issue: 21.2

ANZJA, Call for Papers

Call for Papers | Australian and New Zealand Journal of Art, Open Issue: 21.2 Submissions Due: 23 October, 2020 Editors: Dr Anita Archer, Dr David Challis and Associate Professor Christopher Marshall The Australian and New Zealand Journal of Art (ANZJA) is calling for submissions to be a part of Issue 2, 2021. The issue will be edited by Dr Anita Archer, Research Coordinator of the ERCC (Enlightenment, Romanticism, and Contemporary Culture), Dr David Challis and Associate Professor Christopher Marshall, each are from the School of Culture and Communication an the University of Melbourne. The editors seek research papers that engage […]

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ANJZA Throwback | John Baldessari’s Punishment Piece

ANZJA

John Baldessari’s Punishment Piece Tara McDowell Australian and New Zealand Journal of Art, 2019, Open Issue, vol.19, no.1, 53-69 Despite being one of the most canonical artworks of this period, Baldessari’s I Will Not Make Any More Boring Art has never received any extensive art historical attention, let alone any good old-fashioned formal analysis.iv In what follows, I aim to do just that, restoring the context and material processes of this work and looking closely at its afterlives in order to make it vivid, but also to allow its many permutations and reversals to emerge as attributes of an artwork that is deeply dialectical in […]

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Call for Papers | Australian and New Zealand Journal of Art, Volume 21 Issue 1

ANZJA, Call for Papers

Call for Papers | Australian and New Zealand Journal of Art, Volume 21 Issue 1 EOI Due: 31 March 2020 Final Submissions Due: 10 July 2020 Editors: Associate Professor Claire Roberts and Dr Mark Erdmann Reconfiguring the World: The Art of Greater China and its Diasporas This special issue of the ‘Australian and New Zealand Journal of Art’ seeks papers that examine the art of the Greater China region encompassing mainland China, Macao, Hong Kong and Taiwan as well as that of diasporic artists working in different contexts around the world. Greater China is understood as an active cultural space […]

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ANZJA Current Issue | Vol 19 Issue 2 2019 | Special Issue: Australian Rock Art in the Expanded Field

ANZJA

ANZJA Current Issue | Vol 19 Issue 2 2019 | Special Issue: Australian Rock Art in the Expanded Field Editors: Susan Lowish and Robert Gunn Introduction – Susan Lowish and Robert Gunn Link to Vol. 19.2 at Taylor and Francis here. Articles Archaeological and Art Historical Appreciation of Rock Art: A Case Study from Nawarla Gabarnmang Susan Lowish and Robert Gunn Figure on a Sandstone Ground: Considering Brett Whiteley’s Rock Art Ursula K. Frederick ‘A New Kind of Film’: Performing Aboriginality in James Cant’s WirrittWirritt (1957) Sarah Scott Lucas Grogan and the Eroticism of Aboriginal Art Darren Jorgensen The Saint Sequence, Cudtheringa […]

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ANZJA Current Issue | Vol 19 Issue 1 2019 | Open Issue

ANZJA

ANZJA Current Issue | Vol 19 Issue 1 2019 | Open Issue Edited by Ian McLean Michaela Bear explores the complex production processes, historical precedents and cross-cultural perspectives informing Lisa Reihana’s moving image work in Pursuit of Venus [infected]; Stefan Popescu and Aleksandr Andrews Wansbrough analyse the various media and familial transgressions enacted in Huck Botko’s abject Dessertumentary series; Catherine De Lorenzo situates the art historical importance of Ar_atjara, an exhibition held in Düsseldorf in 1993 of traditional and contemporary Aboriginal and Torre Strait Islander art, predominantly initiated and directed by Aboriginal people; Tara McDowell undertakes a spatial and temporal […]

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AAANZ Conference, Prizes, Journal: Thank You

AAANZ Conference, ANZJA, Conference

Last Friday saw the conclusion of a successful and rewarding Art Association of Australia and New Zealand Conference at the RMIT University School of Art in Melbourne. The Association would like to thank the RMIT Conference Co-convenors Marnie Badham and Daniel Palmer; Grace McQuilten; and Amy Spiers, the Conference Producer, for producing such an excellent and stimulating event. Gratitude is also due to the entire Conference Committee, and the many Conference Volunteers who worked tirelessly to ensure the smooth running of the event. The sheer number of speakers and delegates (the highest for any conference in the Association’s history), the […]

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ANZJA Call for Papers – Issue 2 2018

ANZJA, Call for Papers

Due to high demand, we’re pleased to announce that we will be publishing a second open issue of the Australian & New Zealand Journal of Art in 2018.   Issue 2 for 2018 will be edited by Associate Professor Ann Elias, History and Theory of Contemporary Global Art, and Dr Stephen H. Whiteman, Senior Lecturer in Asian Art, both of the Department of Art History at the University of Sydney. The editors seek research papers that engage with critical debates and scholarly frameworks across art-historical and theoretical enquiry within local and global contexts, plus review essays evaluating publications and exhibitions. Articles must […]

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