Category Archives: Call for Papers

Call for Papers | Queries #3: Call For Papers | Deadline 15 August 2025

Queries is a twice-yearly online journal home to academic writing old and new, by or about Australian artists identifying as gay, lesbian or queer. Queries is available for download at queriesjournal.com Queries #3 is seeking any of the following: reviews of current exhibitions; extracts of recent postgraduate exegeses; recent essays on queer theory or art history; reprints of old catalogue essays from the 1990s and 2000s; profiles on (or interviews with) contemporary artists. Deadline 15th August 2025 queriesjournal@gmail.com

Read More

AAANZ 2025 Conference: Unruly Objects | Call for Papers Now Open | Deadline 16 July

The call for papers for the 2025 CONFERENCE | UNRULY OBJECTS are now open. If you would like to speak at the conference, apply to join one of the panels detailed below.  To apply, read the instructions, and then submit your proposal form to the relevant panel convenor/s. Call for papers deadline: Wednesday 16 July, 2025 Conference theme | Unruly Objects The 2025 conference looks at the uncontrollable, excessive, surplus and unruly qualities of objects that we attempt to study, curate, discipline and subject to discourse. Thinking beyond simply the agency of objects, we turn specifically to their rowdy, disruptive, and ungovernable aspects – […]

Read More

AAANZ 2025 Conference: Unruly Objects | Call for Papers Now Open | Deadline 16 July

The call for papers for the 2025 CONFERENCE | UNRULY OBJECTS are now open. If you would like to speak at the conference, apply to join one of the panels detailed below.  To apply, read the instructions, and then submit your proposal form to the relevant panel convenor/s. Call for papers deadline: Wednesday 16 July, 2025 Conference theme | Unruly Objects The 2025 conference looks at the uncontrollable, excessive, surplus and unruly qualities of objects that we attempt to study, curate, discipline and subject to discourse. Thinking beyond simply the agency of objects, we turn specifically to their rowdy, disruptive, and ungovernable aspects – […]

Read More

AAANZ 2025 Conference: Unruly Objects | Call for Papers Now Open | Deadline 16 July

The call for papers for the 2025 CONFERENCE | UNRULY OBJECTS are now open. If you would like to speak at the conference, apply to join one of the panels detailed below.  To apply, read the instructions, and then submit your proposal form to the relevant panel convenor/s. Call for papers deadline: Wednesday 16 July, 2025 Conference theme | Unruly Objects The 2025 conference looks at the uncontrollable, excessive, surplus and unruly qualities of objects that we attempt to study, curate, discipline and subject to discourse. Thinking beyond simply the agency of objects, we turn specifically to their rowdy, disruptive, and ungovernable aspects – […]

Read More

Call for Papers | Journal of Creative Practice | Research Cries from the Anthropocene

Cries from the Anthropocene: How might we respond? According to the Macquarie Dictionary, to cry is to “utter inarticulate sounds, esp. of lamentation, grief, or suffering; usu. with tears.” To cry is also “to give forth vocal sounds or characteristic calls, as animals.” A further meaning is “to call out”. This theme follows from previous research themes, “Listening to the Anthropocene” and “Crevice Communities”. The first was a process of tuning in to the human and more-than-human environment; the second, affected by pandemic and lockdowns, examined smallness and extreme locality as a productive space. The Anthropocene, the era in which the […]

Read More

Call for Papers | After Post Photography Conference | Yerevan, Armenia, November 2025

After Post-Photography 10: What is photography becoming? Yerevan (Armenia), 5-8 November 2025 Yerevan Center for International Education Hamlet’s observation that the world is out of joint has been quoted so often that it became a truism long ago. Although the phrase thus may appear to be hollowed out by overuse, it still holds a morsel worthy of reflection: a world out of joint is not a world in chaos. Its pieces – people, society, economy, ecology – remain, but the fabric holding them together is weak, crumbling, torn. A similar observation can be made concerning photography. Its pieces – image, […]

Read More

Call for Papers | The Avant-Garde, Affectively | Deadline 1 September

Call for Papers:  THE AVANT-GARDE, AFFECTIVELY Symposium hosted by the MDRN Lab of the University of Leuven, Belgium Conference dates: 2 – 4 February 2026 Convened by Zanë Hadri (University of Leuven) & Susan Best (Griffith University), with Sascha Bru (University of Leuven). Keynote: Prof Thierry de Duve This interdisciplinary symposium aims to explore how the avant-garde (be it historical, neo or contemporary) intersects with affect. Adopting a methodologically inclusive approach to affect, feeling and emotion, we seek (i) to investigate if and how the artistic experimentation of the avant-garde throughout the 20th and 21st centuries has given aesthetic shape […]

Read More

Call for Papers | Colnaghi Studies Journal Symposium | Deadline 5 May

Impressions of Empire: Works on Paper as Agents of Intermedial Translation and Cultural Exchange The Colnaghi Foundation and Athena Art Foundation in London are delighted to announce a symposium on 25th September 2025, exploring how works on paper were used to construct meaning and identity, and engendered the intermediary exchange of artistic ideas, during the period of global empire and colonisation. The symposium will be hosted both online and in the Colnaghi Gallery in London (although no travel grants are available). Papers can be given in English, and we welcome submissions in other languages with prior agreement. A selection of […]

Read More

CALL FOR PAPERS │Perspective, no. 2026 – 1 : Learning/Teaching │ Deadline 10 February

Perspective  will explore, in its 2026 – 1 issue, co-edited by Thomas Golsenne (INHA), Déborah Laks (CNRS) et Guy Lambert (École nationale supérieure d’architecture de Paris-Belleville) to the question Learning/Teaching. Does one learn to become an artist? This question, which traverses the history of contemporary art, has never been resolved. It reflects – and confronts – aesthetic, philosophical, cultural and perhaps even religious concepts. From the standpoint of art history, however, the answer can only be positive, given that artistic production is largely a matter of artist-to-artist legacies and transmissions, whether on a daily basis in the studio and the closed circuit of the school or through the study of […]

Read More

Call For Papers | Queries #2 | Deadline 1 January

Queries #2: Call For Papers Queries is a twice-yearly online journal home to academic writing old and new, by or about Australian artists identifying as gay, lesbian or queer. Queries #1 is available for download  here Queries #2 is seeking any of the following: reviews of current exhibitions; extracts of recent postgraduate exegeses; recent essays on queer theory or art history; r eprints of old catalogue essays from the 1990s and 2000s; profiles on (or interviews with) contemporary artists. Deadline 1st January 2025  queriesjournal@gmail.com  

Read More