Category Archives: AAANZ Conference

AAANZ Conference: A Masterclass with Professor Griselda Pollock at RMIT

AAANZ Conference

“To create transgenerational democratic space for the continuing virtuality of feminism, we need historical understanding of feminism itself that is different from the currently fracturing caricature of generations at war and waves of novelty” (Pollock 2016, 57). Griselda Pollock will be presenting a masterclass for interested HDR candidates and early career researchers as part of the AAANZ Annual Conference at RMIT University on Tuesday 4 December 2018. We are seeking applications from postgraduates and early career researchers whose work engages with the themes of trauma, feminism, transgenerational feminism, virtuality and affect. The masterclass will involve critical responses to two recent […]

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AAANZ Conference 2018 – Call for Papers Now Open

AAANZ Conference, News

The Conference Committee would like to invite proposals for papers for the Art Association of Australia and New Zealand (AAANZ) conference to be held at RMIT University, Melbourne, 5-7 December 2018. The call for panel sessions is now closed. The conference committee has reviewed the proposals and more than 60 were accepted, including panels with a full speaker list and artist talks. Listed in the Call for Papers are the panel sessions that are open to paper proposals. The full conference program will be available at the end of September 2018. The deadline for paper proposals is Monday 3 September […]

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AAANZ Conference 2018 – Call for Panels extended to COB June 25 2018

AAANZ Conference

Submission Process Submit panel proposals via the google form here: https://goo.gl/forms/TijiQiVZY4M7u1fB3. Please include: name and email address of the session convenor(s); institutional affiliation; session title; a brief abstract (250 word limit) that describes the session and how it fits with the conference theme. The deadline for session proposals has been extended to COB Monday 25 June 2018. Session convenors are required to be active members of AAANZ at the time of the conference and will be asked to renew or register for membership upon acceptance of their panel proposal. Session convenors will be notified of the acceptance of their proposed session on […]

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Call For Panels – AAANZ Conference 2018 – due 12 June 2018

AAANZ Conference

A Message from Marnie Badham, co-convenor of the AAANZ conference for 2018: On behalf of the 2018 AAANZ conference committee, my co-convenor Professor Daniel Palmer and myself, I would like to invite you to submit a panel proposal for our upcoming conference Aesthetics, Politics and Histories: The Social Context of Art, December 5-8, at the School of Art, RMIT University, Melbourne, Australia. The conference will open critical dialogue on the histories of art by examining the social contexts of aesthetics and politics. Bringing together art historians, theorists, curators, critics, and artists from across the region, we will offer a four-day program of panels and papers, publication […]

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ART AND ITS DIRECTIONS: SPECIAL EVENT

AAANZ Conference, Conference

GENERAL INFORMATION | KEYNOTE SPEAKERS | SPECIAL EVENT | CALL FOR SESSIONS CALL FOR PAPERS | REGISTRATION & ACCOMODATION | POSTGRADUATE DAY | POSTGRADUATE BURSARIES | CONFERENCE PROGRAM SPECIAL VIEWING OF THE KERRY STOKES COLLECTION Thursday 7 December 5.30 – 7.30pm Guests arrive 5.30pm Welcome drinks followed by collection viewing from 6.00pm The Kerry Stokes Collection is one of […]

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Conference 2017: Art and Its Directions – Keynote Speakers

AAANZ Conference, Conference

The conference committee is pleased to announce the keynote speakers for this years conference: Professor Anne Dunlop holds the Herald Chair in Fine Arts at the University of Melbourne. She has also taught at Yale University and at Tulane University. She works on Italian and European art in the later Middle Ages and early modern period, and for several years now has been researching and writing on the links between Italy and Eurasia in the Mongol period. She has been a Visiting Professor at Zhejiang University, at Peking University, and at Harvard’s Villa I Tatti Center for Italian Renaissance Studies, […]

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