Category Archives: AAANZ Conference
AAANZ 2022 CONFERENCE: DEMONSTRATIONS | CALL FOR PAPERS CLOSES FRIDAY 29 JULY
AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]
AAANZ 2022 CONFERENCE: DEMONSTRATIONS | CALL FOR PAPERS ARE OPEN | DEADLINE FRIDAY 29 JULY
AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]
AAANZ 2022 CONFERENCE: DEMONSTRATIONS | CALL FOR PAPERS ARE OPEN | DEADLINE FRIDAY 29 JULY
AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]
AAANZ 2022 CONFERENCE: DEMONSTRATIONS | CALL FOR PAPERS ARE OPEN | DEADLINE FRIDAY 29 JULY
AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]
AAANZ 2022 CONFERENCE: DEMONSTRATIONS | CALL FOR PAPERS ARE OPEN | DEADLINE FRIDAY 29 JULY
AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]
AAANZ 2022 CONFERENCE: DEMONSTRATIONS | CALL FOR PAPERS ARE OPEN | Deadline Friday 29 July
AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]