Category Archives: Call for Papers

AAANZ 2022 CONFERENCE: DEMONSTRATIONS | CALL FOR PAPERS ARE OPEN | DEADLINE FRIDAY 29 JULY

AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]

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AAANZ 2022 CONFERENCE: DEMONSTRATIONS | CALL FOR PAPERS ARE OPEN | DEADLINE FRIDAY 29 JULY

AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]

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AAANZ 2022 CONFERENCE: DEMONSTRATIONS | CALL FOR PAPERS ARE OPEN | Deadline Friday 29 July

AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]

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Call for Papers │ Hunar Symposia: Art/Conflict │ Close 22 July

Art/Conflict is the inaugural three-day conference and month-long art-exhibition organised by Hunar Symposia taking place in Sydney and online in November 2022. The conference will focus on the intersections between art, war, and conflict through questions of creative resistance and sovereignty. We seek your support in promoting the symposium and more especially the current call for papers. Abstracts due 22 July Confirmed keynote speakers include: Badtjala artist, curator, writer, academic and founding member of Boomalli Aboriginal Artist Cooperative, Fiona Foley Buenos Aires-based human rights activist, photographer, and visual artist, Marcelo Brodsky Professor of Sociology, Jindal School of Liberal Arts & Humanities, John Clammer […]

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AAANZ 2022 Conference | DEMONSTRATIONS | Call for Papers are open

AAANZ 2022 Conference | DEMONSTRATIONS Monash University and The University of Melbourne 1 – 3 December 2022 The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS’ For some this might raise the idea of political advocacy in relation to Indigenous land rights, the global pandemic, climate crisis, and social injustice. For others it might provoke questioning of traditional demonstrations of art history: the exhibition, the catalogue, the curator, and physical artworks. For yet others it may evoke the idea of thinking through making and its connection to conceiving artistic practice as research. How might we re-conceive […]

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Call for Panels | 2022 AAANZ Conference | Closes midnight, 9 May

The deadline for the Call for Panels for the 2022 AAANZ Conference ‘Demonstrations’ has been extended and submissions will be open until midnight Monday 9 May. Propose a Panel! The Melbourne Conference Committee invites proposals for panels for the AAANZ conference, to be hosted by Monash University, and The University of Melbourne, 1 – 3 December 2022. Key details All proposals are due by midnight, Monday, 9 May 2022. Submit your applications here: Call for Panels Submission Form Conference Theme: Demonstrations  The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS.’ For some this might raise the idea of political […]

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Call for Panels | 2022 AAANZ Conference | Deadline Deadline Extended to 9 May

The deadline for the Call for Panels for the 2022 AAANZ Conference ‘Demonstrations’ has been extended and submissions will be open until midnight Monday 9 May. Propose a Panel! The Melbourne Conference Committee invites proposals for panels for the AAANZ conference, to be hosted by Monash University, and The University of Melbourne, 1 – 3 December 2022. Key details All proposals are due by midnight, Monday, 9 May 2022. Submit your applications here: Call for Panels Submission Form Conference Theme: Demonstrations  The AAANZ Annual Conference for 2022 is prompted by the idea of ‘DEMONSTRATIONS.’ For some this might raise the idea of political advocacy […]

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Call for Abstracts | Special Issue of Critical Studies in Men’s Fashion

Special Issue of Critical Studies in Men’s Fashion Men’s Fashion in the Age of AIDS Editors: Jonathan Kaplan and Peter McNeil Abstracts due for review: 30 July 2022 Authors notified of decisions: 30 August 2022 Completed articles due: 30 September 2022 Critical Studies in Men’s Fashion under its incoming editors Dr Jonathan Kaplan (Sydney Jewish Museum and UTS) and Distinguished Professor Peter McNeil (UTS) place a call for papers for a Special Issue ‘Men’s Fashion in the Age of AIDS’. As the world reels from the coronavirus, we remember AIDS (Acquired Immunodeficiency Syndrome), a virus first ‘identified’ in 1981 (but […]

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Call for Proposals | Perspective: news in art history

The journal Perspective: news in art history will explore, in its 2022 – 2 issue , the history and historiography of Fashion(s) Exploring fashion as a plural phenomenon that manifests itself in objects and images, influences artistic practices and maintains close ties with their history means understanding the formation of a body of fashion literature within the history of art. It also means attempting to grasp what art history has to gain from addressing this omnipresent yet unresolved subject that questions the discipline’s borders and hierarchies. Two complementary definitions of fashion emerge and these underlie the two approaches that this issue of Perspective seeks to develop: the […]

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