Call for Papers │Avant-Garde and War 9th biennial conference of the European Network for Avant-Garde and Modernism Studies (EAM) Cracow, Jagiellonian University 17-19 September 2024 Please see the EAM website for details in English, French and German: EAM | European Network for Avant-Garde and Modernism Studies (eam-europe.be) Deadline 1 March 2024
CHRISTIAN WALLER STAINED GLASS: TOWARDS THE LIGHT Caroline Miley Australian Scholarly Publishing, North Melbourne, 2022 ISBN 9781922669476 Paperback 400 pp 251 ill. with slipcase $150 without $110 www.christianwallerstainedglass.com Born in 1895 to a tradesman father in a provincial gold-mining town in Victoria, Christian Waller’s rare talent was recognised as a girl. She studied at the National Gallery School and at the British centres of the Arts and Crafts stained glass revival. On her return she built a career patronised by architects, attracting more commissions than even her dedicated labour could manage. Her choice of medium, later illness and reclusive tendencies […]
The Cowra Japanese Garden currently holds the only authentic Japanese noh stage that exists in Australasia. The stage was originally built for the 1988 Adelaide Festival, used in performances by the Kanze theatre troupe from Japan. Thereafter, it was kept and occasionally used by the University of Sydney drama department for student performances, before its transfer to Cowra in 2016. Supported by The Japan Foundation’s Sydney office, Dr Tets Kimura (Flinders University, Adelaide) and Associate Professor Richard Bullen (University of Canterbury, NZ) will visit the Cowra Japanese Garden to rebuild the noh stage from Thursday 1 to Sunday 4 February […]
Congratulations to the winners and highly commended of the AWAPAs for 2023 BEST BOOK From an exceptionally strong field of scholarly art historical book publishing, the judges decided to award the prize to: WINNER: Penelope Jackson, The art of copying art. (Cham Switzerland: Palgrave Macmillan, 2022) Copying art for purposes of training or replicating artwork for collections, filmsets or as forgeries is an ancient practice. Jackson, with wit, scholarship and investigative brilliance, brings together the different traditions of copying art in this engaging and very readable volume. This is an original and pioneering piece of research that opens a field […]
Newsletter | President’s Report | December 2023 Advocacy This year was dominated by debate in the lead up to the October referendum on an Indigenous Voice to Parliament. AAANZ issued a statement in support of the Voice acknowledging it as an important step towards Treaty. Following the referendum we released a follow-up statement recognising the deep pain many people were experiencing and reaffirming our commitment to Treaty, truth-telling and self-determination for Aboriginal and Torres Strait Islander peoples. Thank you to the Indigenous Advocacy Working Group: Dr Ali Gumillya Baker, Dr Fiona Foley, Rebecca Holborn and Dr Jessyca Hutchens for crafting these statements. Consultation for the […]
12 December 2023 Re: Feedback on Proposal to Close Griffith University Art Museum I am writing to you as President of the Art Association of Australia and New Zealand (AAANZ), a national membership association and peak advocacy body, representing art historians, writers, curators and artists from around Australasia. The Association is strongly opposed to the University’s proposal to close the Griffith University Art Museum (GUAM), a decision that puts economics before student interests and ignores the vital role university art museums play in teaching, learning and research. University art museums enrich the cultural and intellectual life on campus. They are […]
“Emerging From Darkness: Faith, Emotion and the Body in the Baroque” is an internationally significant exhibition featuring world-renowned baroque masters including Artemisia Gentileschi, Lavinia Fontana and Sofonisba Anguissola, and contemporary artists working in the Baroque style. Showcasing rare, historically important works, Emerging From Darkness is an unprecedented first for Hamilton Gallery and regional Australia. Drawn from partnerships with and loans from the National Gallery of Victoria, the National Gallery of Australia and private lenders across the country, the exhibition brings together powerful, emotive and unapologetic works that changed the course of art at the beginning of the 17th century. https://darkness.hamiltongallery.org/ Faith, Emotion & […]
Melbourne University Press is about to release Letters to a Critic by Rodney James To celebrate, MUP are offering the below discounts on orders made by 12th December 2023 2+ copies: 15% off RRP 30+ copies: 25% off RRP 70+ copies: 35% off RRP Delivery is free on orders of $50+ To pre-order, please email dominika.greinert@unimelb.edu.au Your full delivery details. Number of copies you wish to order. A pre-order invoice will be sent. RRP $60 hardback format Described as ‘arguably the most influential Australian art critic of the last half of the twentieth century’, Alan McCulloch’s work-as illustrator, critic, gallery director and author-reflected […]
In early February Melbourne University Press is set to release, Barbara Tucker: The Art of Being by Hermina Burns. This will be available in limited print run, so we welcome preorders now. Admired by those who knew her distinctive life, her agency in managing and promoting the legacy of Albert Tucker, Barbara Tucker: The Art of Being sheds new light on Barbara Tucker’s advocacy of Albert Tucker’s art, her gift for friendship, her love of the Australian bush and her spiritual impulse. It provides the reader with witness accounts of Barbara’s life lived alongside Albert Tucker, one of the greatest Australian artists of the twentieth […]
Future Souths: Dialogues on Art, Place, and History, Discipline and Third Text (Melbourne/Naarm and London, 2023) Available from: http://www.discipline.net.au Future Souths, initiated and introduced by Verónica Tello, is the culmination of an online dialogical project that began in 2017. Future Souths is written by eighteen authors from the Americas, Australia, Asia, South Africa and Europe, radically reconsidering the geo-spatial bases and biases of contemporary art history and discourse. It proposes a fluid, collective, contingent re-consideration of key art concepts from embodied and geo-located vantage points, perspectives, and experiences of the south. The dialogues explore methods, concepts, and theories grounded in the materialities of archives, histories, borders, […]
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