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EVENT | The Data Imaginary: Fears and Fantasies | 5.30 – 7.30pm, Wednesday 4 October

Events

  The Data Imaginary: Fears and Fantasies This exhibition brings together eminent and emerging artists and designers to show how creative applications of data technology are crucial for a vital, inclusive and sustainable future. ARTIST DISCUSSION & EXHIBITION OPENING 5.30 – 7.30pm, Wednesday 4 October Register to attend The Data Imaginary: Fears and Fantasies brings together eminent and emerging artists and designers to show how creative applications of data technology are crucial for a vital, inclusive and sustainable future. The exhibition includes artworks and designs that engage audiences in critical, playful and agentic reflections on data and creative technologies. Through the […]

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Call for Articles | ANZJA Special Issue: documenta fifteen |  Deadline 29 September

ANZJA, Call for Articles

Call for Articles | Australian and New Zealand Journal of Art, Special Issue: documenta fifteen: “the first exhibition of the twenty-first century,” 24.1, 2024 Full article submissions due: Friday 29 September, 2023 Editors: Amelia Winata, Cameron Hurst, Chelsea Hopper, Giles Fielke, Helen Hughes, Hilary Thurlow, and Paris Lettau This special issue of the Australian and New Zealand Journal of Art (ANZJA) is edited by emerging art historians and critics Amelia Winata, Cameron Hurst, Chelsea Hopper, Giles Fielke, Helen Hughes, Hilary Thurlow, and Paris Lettau. They have worked together across numerous art historical editorial projects, including Index Journal, Discipline, and Memo Review. For ANZJA they focus on historicising documenta fifteen (2022). ANZJA is calling for […]

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Call for Articles | ANZJA 24.2: Open Issue | Deadline 1 December

ANZJA, Call for Articles

Call for Articles | Australian and New Zealand Journal of Art 24.2: Open Issue Submission of essays due: Friday 1 December, 2023 Editor in Chief: Dr Verónica Tello Editorial Committee: Dr Diana Baker Smith, Professor Jennifer Biddle, Dr Bianca Hester, Dr Astrid Lorange, José da Silva, Dr Jaye Early We seek original essays, dialogues, visual essays, and other texts that engage with artists, visual culture, exhibitions, critical debates, frameworks, and methodologies across art history, theory, curating, and practice in and across Australia and the Asia Pacific region. ANZJA publishes research articles of 5,000 to 7,000 words (including endnotes), which will be peer-reviewed*. We encourage both traditional and experimental […]

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Call for Articles | Australian and New Zealand Journal of Art 25.1 | Special Issue: Tarrang

ANZJA, Call for Articles

Call for Articles | Australian and New Zealand Journal of Art 25.1 | Special Issue: Tarrang Submissions due: Papers due Monday 1 March, 2024 Editors: Brian Martin and Jessica Neath Editorial Committee: Dr Diana Baker Smith, Professor Jennifer Biddle, Dr Bianca Hester, Dr Astrid Lorange, José da Silva, Dr Jaye Early The Australian and New Zealand Journal of Art (ANZJA) is calling for submissions for the Special Issue (25.1) Tarrang. The Special Issue builds on the 2023 exhibition More Than A Tarrang (tree): Memory, Material and Cultural Agency, curated by Brian Martin, Jessica Neath, Kimberley Moulton and Brook Andrew for Bunjilaka Aboriginal Cultural Centre, Melbourne Museum. We invite Indigenous-led submissions worldwide and […]

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Call for Articles | ANZJA 25.1 | Special Issue: Tarrang | Deadline 1 March 2024

ANZJA, Call for Articles

Call for Articles | Australian and New Zealand Journal of Art 25.1 | Special Issue: Tarrang Submissions due: Papers due Monday 1 March, 2024 Editors: Brian Martin and Jessica Neath Editorial Committee: Dr Diana Baker Smith, Professor Jennifer Biddle, Dr Bianca Hester, Dr Astrid Lorange, José da Silva, Dr Jaye Early The Australian and New Zealand Journal of Art (ANZJA) is calling for submissions for the Special Issue (25.1) Tarrang. The Special Issue builds on the 2023 exhibition More Than A Tarrang (tree): Memory, Material and Cultural Agency, curated by Brian Martin, Jessica Neath, Kimberley Moulton and Brook Andrew for Bunjilaka Aboriginal Cultural Centre, Melbourne Museum. We invite Indigenous-led submissions worldwide and […]

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SYMPOSIUM | More Than a Tarrang (tree) | Melbourne Museum | Save the Date 2 November

Events

Event Details Date: 2 November 2023 at 9:00 am – 3 November 2023 at 5:00 pm Venue: Theatre, Melbourne Museum Categories: Fine Art; Design; Architecture; Research: Wominjeka Djeemban Description More Than a Tarrang (tree) is a research symposium presented by Wominjeka Djeembana Indigenous Research Lab, Monash Art Design and Architecture. Tarrang is the Boonwurrung word for tree shared by N’Arweet Professor Carolyn Briggs AM. We acknowledge the Traditional Owners of the land on which this event will take place, the Boonwurrung and Wurundjeri peoples of the Eastern Kulin Nation. Responding to the exhibition More Than a Tarrang: Memory, Material and Cultural Agency at Bunjilaka […]

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CALL FOR PAPERS | 7th Annual Conference of The International Art Market Studies Association | Deadline 1 November

Call for Papers

7th  Annual Conference of The International Art Market Studies Association, The University of Melbourne, Australia 11th – 13th  July 2024 CALL FOR PAPERS MULTIPLE ART MARKETS IN AN EXPANDING WORLD ARTISTS, AGENTS, NETWORKS, EXCHANGE Convenors: Associate Professor Christopher R. Marshall Associate Professor of Art History and Museum Studies, the University of Melbourne, Australia Email: crmars@unimelb.edu.au Dr Georgina S. Walker Teaching Associate in Art History and Curatorship, the University of Melbourne, Australia Email: walker.g@unimelb.edu.au Introduction and Overview From 11th – 13th July 2024, the University of Melbourne, Australia, will host the seventh annual conference of The International Art Market Studies Association […]

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AAANZ PHD PRIZE NOW OPEN FOR 2023| DEADLINE 18 SEPTEMBER

Prizes

PHD PRIZE 2023 AAANZ is pleased to offer an opportunity for recently graduated PhD students to enter the AAANZ PhD Prize. The $1000 prize is supported by Taylor and Francis. In 2022 the format of the annual PhD prize changed following a review by the AAANZ Prize Committee that took into consideration feedback received from former and potential entrants, academics and former members of the judging panel. In 2022 there were twenty-three entries, of which, four were shortlisted. Read the winner’s and shortlisted abstracts here. The AAANZ PhD Prize is judged on the merits of the final submitted thesis or exegesis […]

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CALL FOR ARTICLES | ANZJA SPECIAL ISSUE | CLOSE 29 SEPTEMBER

ANZJA, Call for Articles

Call for Articles | Australian and New Zealand Journal of Art, Special Issue: documenta fifteen: “the first exhibition of the twenty-first century,” 24.1, 2024 Full article submissions due: Friday 29 September, 2023 Editors: Amelia Winata, Cameron Hurst, Chelsea Hopper, Giles Fielke, Helen Hughes, Hilary Thurlow, and Paris Lettau This special issue of the Australian and New Zealand Journal of Art (ANZJA) is edited by emerging art historians and critics Amelia Winata, Cameron Hurst, Chelsea Hopper, Giles Fielke, Helen Hughes, Hilary Thurlow, and Paris Lettau. They have worked together across numerous art historical editorial projects, including Index Journal, Discipline, and Memo Review. For ANZJA they focus on historicising documenta fifteen (2022). ANZJA is calling for […]

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CALL FOR ARTICLES | ANZJA 24.2: OPEN ISSUE | CLOSE 1 DECEMBER

ANZJA, Call for Articles

Call for Articles | Australian and New Zealand Journal of Art 24.2: Open Issue Submission of essays due: Friday 1 December, 2023 Editor in Chief: Dr Verónica Tello Editorial Committee: Dr Diana Baker Smith, Professor Jennifer Biddle, Dr Bianca Hester, Dr Astrid Lorange, José da Silva, Dr Jaye Early We seek original essays, dialogues, visual essays, and other texts that engage with artists, visual culture, exhibitions, critical debates, frameworks, and methodologies across art history, theory, curating, and practice in and across Australia and the Asia Pacific region. ANZJA publishes research articles of 5,000 to 7,000 words (including endnotes), which will be peer-reviewed*. We encourage both traditional and experimental […]

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