Blog

Call for Papers | CRiSiS 7th biennial conference of the European Network for Avant-Garde and Modernism Studies (

July 10, 2019Call for PapersAvant-Garde, Call for Papers, Europe, Modernism

CRiSiS | 7th biennial conference of the European Network for Avant-Garde and Modernism Studies University of Leuven, Belgium, 17-19 Sept. 2020 Conference website: http://www.eam-europe.be/2020-conference CALL FOR PROPOSALS Notions of crisis have long charged the study of the European avant-garde and modernism. Throughout their history, avant-gardists and modernists have faced crises, be they economic or political, scientific or technological, aesthetic or philosophical, collective or individual, local or global, short or perennial. Modernists and avant-gardists have in turn continually stood accused of instigating crises, whether artistic or cultural, sensorial or conceptual, incidental or intentional, far-reaching or negligible, representational or other. The very concepts […]

Job | Lecturer Art History and Theory – Monash University

July 10, 2019Jobs

Lecturer – Art History and Theory Closing Date: Saturday 3 August 2019, 11:55 pm AEST Location: Caulfield campus Employment Type: Full-time Duration: 12 month fixed-term appointment Remuneration: $97,203 – $115,429 pa Level B (plus 9.5% employer superannuation) The Opportunity Join us at Monash Art Design and Architecture, a creative community of artists, designers, architects and critical thinkers who integrate diverse knowledge on social, economic and human issues to create a world we want to live in. You will work as a Lecturer for our Art History program, as part of a faculty which prides itself on achieving high standards of education […]

Third keynote speaker announced for #AAANZ19 – Geoffrey Batchen

June 21, 2019AAANZ ConferenceConference, Keynote

Geoffrey Batchen is Professor of Art History at Victoria University of Wellington. He is an expert in the general theory and historiography of photography who has helped to pioneer the study of vernacular photography. Batchen has published extensively, in twenty-three languages to date, and has curated numerous exhibitions around the world, the most recent being Still Looking: Peter McLeavey and the Last Photograph (Adam Art Gallery, 2018) and Live from the Moon ({Suite}, 2019). He is the author of Burning with Desire: The Conception of Photography (MIT Press, 1997); Each Wild Idea: Writing, Photography, History (MIT Press, 2001); Forget Me Not: Photography and Remembrance (Princeton Architectural Press, 2004); William Henry Fox Talbot (Phaidon, […]

Remembering Roger Blackley (1953–2019)

June 17, 2019NewsNews

This piece by Rebecca Rice first appeared on the Te Papa website. Read it in full here: https://blog.tepapa.govt.nz/2019/06/11/remembering-roger-blackley-1953-2019/ Our thanks to Rebecca for allowing us to repost it here in memory of the art historian and curator Roger Blackley. ‘Roger was many things to many of us: a scholar, mentor, colleague, teacher, and friend. He was, like his artist-hero Goldie, a national taonga, and he will be greatly missed.’ New Zealand art historian and curator, Roger Blackley, passed away on the 15 May 2019. Here, Rebecca Rice acknowledges his legacy. Roger Blackley, 2018 Roger and I both began our careers […]

Geoffrey Batchen appointed Professorship of the History of Art, Oxford University

May 24, 2019Funding

Geoffrey Batchen, currently Professor of Art History, Victoria University, Wellington has been appointed to the Professorship of the History of Art at Oxford University from 1 January 2020. Batchen is planning to undertake several research projects focusing on the photographic collections at Oxford University. He is encouraging applications from ambitious students wanting to write theses on the history of photography. For more information contact geoffrey.batchen@vuw.ac.nz

Symposium: Towards a flexible future

May 24, 2019Events

Managing time-based media artworks in collections Today digital technologies are so embedded in our daily lives that the rapid rate in which they develop often goes unnoticed. What does such intense and ongoing technological change mean for artists and art museums, where the notions of permanence and perpetuity have long reigned supreme? Featuring presentations from conservators and curators from the Art Gallery of New South Wales and Tate, London, as well as Australian artists, this symposium sets out to explore what it means to collect, display, preserve and make time-based media artworks. This symposium brings attention to the significant risk […]

Assistant Curator, Kenneth E Tyler Collection National Gallery of Australia

May 24, 2019Jobs

The National Gallery of Australia is looking for an Assistant Curator to assist the Senior Curator and Curator, International Art Department, in the preparation of exhibitions and publications related to the Kenneth E Tyler Collection. An important focus of the role will be to assist with the development of web-based material and online access. The Tyler Collection comprises of over 7,400 edition prints, proofs, drawings, paper-works, screens, multiples and illustrated books as well as a collection of rare candid photography, film and audio and reference material. To download the position description and how to apply click here Applications close Sunday, 26 May […]

Index Journal: Identity Call for papers

May 24, 2019Call for Papers

INDEX JOURNAL is calling for papers for its inaugural issue IDENTITY. Submissions are encouraged from art historians of all specialisations. IDENTITY POLITICS DISSOLVES THE IDENTITY OF THE ARTWORK INDEX JOURNAL is an independent peer-reviewed art history publication based in Melbourne, Australia. The journal presents original scholarship by art historians from all specialisations, treating the art of the past with the same urgency as it does the art of the present. For each issue, INDEX JOURNAL will invite a guest editor to raise a polemic – in the form of a single proposition – that calls for pressing art historical attention. Submit […]

EU Copyright Directive, Article 14

April 1, 2019Advocacy, News

An interesting post about incoming copyright policies concerning image reproduction fees for Art Historians: The end of museum image fees?

Statement on Christchurch Massacre

March 28, 2019Advocacy, Events, General

The AAANZ expresses its complete and utter abhorrence towards the events of March 15, 2019 in Christchurch which saw 50 people murdered and a similar number wounded. As an organisation dedicated to fostering understanding about the art and visual culture of the widest possible range of cultures, peoples, and histories, the Association is fundamentally opposed to the racist and hate-filled ideologies which gave rise to this attack on the Muslim community. On behalf of all members of the Association, in Australia, New Zealand and elsewhere, I would like to offer my heartfelt condolences to those colleagues, friends, and families who […]