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        • Out of Place
        • Performance Costume: New Perspectives and Methods
        • Rita Angus: An Artist’s Life
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        • Robert MacPherson: Nominal Gestures
        • Round About or Inside
        • She-Oak and Sunlight: Australian Impressionism
        • Source Materials
        • Space Practising Tools
        • Surrealism
        • Surrealist Art | He Toi Pohewa
        • Susan Ecker | Subject: Studio
        • Tarnanthi
        • Te Puna Waiora: The Distinguished Weavers of Te Kāhui Whiritoi
        • Tense Past
        • The Asian Modern
        • The Back of the Painting
        • The Color of Modernism
        • The Data Imaginary: Fears and Fantasies
        • The exhibitionists: a history of Sydney’s Art Gallery of New South Wales
        • The image is not nothing (Concrete Archives) Catalogue
        • The Lure of the Social – Encounters with Contemporary Artists
        • The present moment: The art of Clarice Beckett
        • The 10th Asia Pacific Triennial of Contemporary Art (APT10)
        • There we were all in one place
        • Tree Story
        • Uneven Bodies (Reader)
        • Victory over Death: The Art of Colin McCahon
        • WARWAR: The Art of Torres Strait
        • Where Lakes Once Had Water
        • William Yang: Seeing and Being Seen
      • 2021 PRIZES
        • A Sorrowful Act: The Wreck of the Zeewijk
        • Agatha Gothe-Snape: The Outcome Is Certain
        • Billy Apple® Life/Work
        • Cognitive Dissidents: Reasons to be Cheerful
        • Italian Modern Art in the Age of Fascism
        • Gordon Bennett: Selected Writings
        • Hidden Light: Early Canterbury and West Coast Photography
        • She Persists: Perspective on Women in Art & Design
        • Te Manu Huna a Tāne
        • The Australian Art Field: Practices, Policies, Institutions
        • Unfinished Business: The Art of Gordon Bennett
        • Where Dragon Veins Meet: the Kangxi Emperor and His Estate at Rehe
      • 2020 Prizes
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              • Capturing Nature: Early Scientific Photography at the Australian Museum 1857–1893
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          • Edith Amituanai: Double Take
          • Eugenia Raskopoulos: Vestiges of the Tongue
          • Louise Henderson: From Life
          • Melbourne Modern: European Art & Design at RMIT Since 1945
          • On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell
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          • Photography and Ontology: Unsettling Images
          • Shapes of Knowledge
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  • About
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        •                         - Doing Feminism: Women’s Art and Feminist Criticism in Australia
        •                         - Dual/Duel
        •                         - Dušan and Voitre Marek: Surrealists at sea
        •                         - ECONOMYTHOLOGIES
        •                         - European Masterpieces from The Metropolitan Museum of Art, New York
        •                         - Fairweather and China
        •                         - Fiona Foley Provocateur: An Art Life
        •                         - Fiona Foley: Veiled Paradise
        •                         - Flesh after Fifty: Changing images of older women in Art
        •                         - “Following Kungka Kutjarra,” in Irrititja Kuwarri Tjungu | Past and Present Together: Fifty Years of Papunya Tula Artists
        •                         - Frances Burke: Designer of Modern Textiles
        •                         - French Impressionism from the Museum of Fine Arts, Boston
        •                         - Homework
        •                         - It’s not personal: Post 60s body art and performance
        •                         - Joanna Margaret Paul – Imagined in the context of a room
        •                         - Gabrielle Chanel. Fashion Manifesto
        •                         - Golden Shells and Elegant Games of Japan
        •                         - Goya: Drawings from the Prado Museum
        •                         - Graphic Identities
        •                         - Groundwork
        •                         - HELLZAPOPPIN’! The Art of Flying Nun
        •                         - HG:60
        •                         - Hilma af Klint: The secret paintings
        •                         - Hybrid
        •                         - I always knew you were the shape – an essay about the artwork of Guy Benfield
        •                         - Light & Darkness: Late Modernism and the JW Power Collection
        •                         - Matisse: Life & spirit, masterpieces from the Centre Pompidou, Paris
        •                         - Ngā Tai Whakarongorua | Encounters
        •                         - Nicole Ellis: Fabrications
        •                         - Out of Place
        •                         - Performance Costume: New Perspectives and Methods
        •                         - Rita Angus: An Artist’s Life
        •                         - Rita Angus: New Zealand Modernist
        •                         - Robert MacPherson: Nominal Gestures
        •                         - Round About or Inside
        •                         - She-Oak and Sunlight: Australian Impressionism
        •                         - Source Materials
        •                         - Space Practising Tools
        •                         - Surrealism
        •                         - Surrealist Art | He Toi Pohewa
        •                         - Susan Ecker | Subject: Studio
        •                         - Tarnanthi
        •                         - Te Puna Waiora: The Distinguished Weavers of Te Kāhui Whiritoi
        •                         - Tense Past
        •                         - The Asian Modern
        •                         - The Back of the Painting
        •                         - The Color of Modernism
        •                         - The Data Imaginary: Fears and Fantasies
        •                         - The exhibitionists: a history of Sydney’s Art Gallery of New South Wales
        •                         - The image is not nothing (Concrete Archives) Catalogue
        •                         - The Lure of the Social – Encounters with Contemporary Artists
        •                         - The present moment: The art of Clarice Beckett
        •                         - The 10th Asia Pacific Triennial of Contemporary Art (APT10)
        •                         - There we were all in one place
        •                         - Tree Story
        •                         - Uneven Bodies (Reader)
        •                         - Victory over Death: The Art of Colin McCahon
        •                         - WARWAR: The Art of Torres Strait
        •                         - Where Lakes Once Had Water
        •                         - William Yang: Seeing and Being Seen
      •                 - 2021 PRIZES
        •                         - A Sorrowful Act: The Wreck of the Zeewijk
        •                         - Agatha Gothe-Snape: The Outcome Is Certain
        •                         - Billy Apple® Life/Work
        •                         - Cognitive Dissidents: Reasons to be Cheerful
        •                         - Italian Modern Art in the Age of Fascism
        •                         - Gordon Bennett: Selected Writings
        •                         - Hidden Light: Early Canterbury and West Coast Photography
        •                         - She Persists: Perspective on Women in Art & Design
        •                         - Te Manu Huna a Tāne
        •                         - The Australian Art Field: Practices, Policies, Institutions
        •                         - Unfinished Business: The Art of Gordon Bennett
        •                         - Where Dragon Veins Meet: the Kangxi Emperor and His Estate at Rehe
      •                 - 2020 Prizes
        •                         - AWAPAs Winners │Highly Commended │Entries 2020
          •                                 - All men choose the path they walk: Art and the scales of justice
          •                                 - Apparitions: Photography and Dissemination
          •                                 - Bonita Ely: Future Tense
            •                                         - Annual General Meeting December 2025
              •                                                 - Capturing Nature: Early Scientific Photography at the Australian Museum 1857–1893
          •                                 - Cosmopolitan: Art from the 1930s in the University of Western Australia Art Collection and the Cruthers Collection of Women’s Art
          •                                 - Darren Sylvester: carve a future, devour everything, become something
          •                                 - Edith Amituanai: Double Take
          •                                 - Eugenia Raskopoulos: Vestiges of the Tongue
          •                                 - Louise Henderson: From Life
          •                                 - Melbourne Modern: European Art & Design at RMIT Since 1945
          •                                 - On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell
          •                                 - Phone & Spear: a Yuta Anthropology
          •                                 - Photography and Ontology: Unsettling Images
          •                                 - Shapes of Knowledge
          •                                 - Spiritual Journeying: The Art of Tim Johnson
      •                 - 2019 prizes
      •                 - 2018 Prizes
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